To the creative history of Yuri Belyaev’s play Psisha

The paper examines the creative history of the play Psisha by Yuri Belyaev – a theatre critic, fi ction writer and dramatist of the Silver Age. While working on the article cycle A night at “The Opera House” about theatre history of the times of Catherine II, the critic researched historical sources...

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Main Author: Kudina , Ekaterina O.
Format: Article
Language:English
Published: Saratov State University 2022-03-01
Series:Известия Саратовского университета. Новая серия. Серия Филология: Журналистика
Subjects:
Online Access:https://bonjour.sgu.ru/sites/bonjour.sgu.ru/files/2022/03/12._kudina.pdf
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author Kudina , Ekaterina O.
author_facet Kudina , Ekaterina O.
author_sort Kudina , Ekaterina O.
collection DOAJ
description The paper examines the creative history of the play Psisha by Yuri Belyaev – a theatre critic, fi ction writer and dramatist of the Silver Age. While working on the article cycle A night at “The Opera House” about theatre history of the times of Catherine II, the critic researched historical sources: periodical, fi ction, documents of the second half of the 18th – early 19th centuries. There Belyaev must have found the material for his early fi ctional experience – the historical short story Psisha. Among the characters of the story were a landowner – аn avid theatergoer, and the actors of his serf company. In this story the set of themes is defi ned, which the writer will develop further in his later works: the court and the serf theatres, the repertoire, the tragic fate of dependent actors. Later Belyaev addressed the theme of the serf theater as a dramatist and his artistic pursuits resulted in the play Psisha. The stage version had a great audience success in Moscow and St. Petersburg in the 1911–1912 theatrical season and was highly appreciated by theater observers in newspapers and journals. Judging by the reviews in the periodical press, the author of Psisha managed to strike the right balance between stylizations that became relevant during this period, the recreation of everyday scenes of the era and a sentimental psychological drama from the life of serf actors. Thus, it was possible to establish that Belyaev’s fi rst works on the history of the Russian theater and his fi rst literary works shaped the main themes and images of one of his most famous dramas.
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spelling doaj.art-8606f1b7c2b84d7ab585ce78538ed4a12022-12-21T23:42:04ZengSaratov State UniversityИзвестия Саратовского университета. Новая серия. Серия Филология: Журналистика1817-71152541-898X2022-03-01221727710.18500/1817-7115-2022-22-1-72-77To the creative history of Yuri Belyaev’s play PsishaKudina , Ekaterina O.0Institute of Russian Literature (Pushkinskij Dom), Russian Academy of Sciences, 4 Makarov Emb., Saint PetersburgThe paper examines the creative history of the play Psisha by Yuri Belyaev – a theatre critic, fi ction writer and dramatist of the Silver Age. While working on the article cycle A night at “The Opera House” about theatre history of the times of Catherine II, the critic researched historical sources: periodical, fi ction, documents of the second half of the 18th – early 19th centuries. There Belyaev must have found the material for his early fi ctional experience – the historical short story Psisha. Among the characters of the story were a landowner – аn avid theatergoer, and the actors of his serf company. In this story the set of themes is defi ned, which the writer will develop further in his later works: the court and the serf theatres, the repertoire, the tragic fate of dependent actors. Later Belyaev addressed the theme of the serf theater as a dramatist and his artistic pursuits resulted in the play Psisha. The stage version had a great audience success in Moscow and St. Petersburg in the 1911–1912 theatrical season and was highly appreciated by theater observers in newspapers and journals. Judging by the reviews in the periodical press, the author of Psisha managed to strike the right balance between stylizations that became relevant during this period, the recreation of everyday scenes of the era and a sentimental psychological drama from the life of serf actors. Thus, it was possible to establish that Belyaev’s fi rst works on the history of the Russian theater and his fi rst literary works shaped the main themes and images of one of his most famous dramas.https://bonjour.sgu.ru/sites/bonjour.sgu.ru/files/2022/03/12._kudina.pdfyuri belyaevpsishaplaydramaserf theaterhistory of the russian theatretheatre critique18th centurysilver age
spellingShingle Kudina , Ekaterina O.
To the creative history of Yuri Belyaev’s play Psisha
Известия Саратовского университета. Новая серия. Серия Филология: Журналистика
yuri belyaev
psisha
play
drama
serf theater
history of the russian theatre
theatre critique
18th century
silver age
title To the creative history of Yuri Belyaev’s play Psisha
title_full To the creative history of Yuri Belyaev’s play Psisha
title_fullStr To the creative history of Yuri Belyaev’s play Psisha
title_full_unstemmed To the creative history of Yuri Belyaev’s play Psisha
title_short To the creative history of Yuri Belyaev’s play Psisha
title_sort to the creative history of yuri belyaev s play psisha
topic yuri belyaev
psisha
play
drama
serf theater
history of the russian theatre
theatre critique
18th century
silver age
url https://bonjour.sgu.ru/sites/bonjour.sgu.ru/files/2022/03/12._kudina.pdf
work_keys_str_mv AT kudinaekaterinao tothecreativehistoryofyuribelyaevsplaypsisha