Lost ou le Vade-mecum des malades d’amour
By inventing initiatory melodrama, by constructing a perfect gaze and by telling different love trajectories (be they perfect or imperfect), Lost embodies two things simultaneously for its spectator. Through the motif of the eye, the series puts us in the contemplative place of Jacob as protector of...
| Main Author: | |
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| Format: | Article |
| Language: | English |
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Groupe de Recherche Identités et Cultures
2016-10-01
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| Series: | TV Series |
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| Online Access: | http://journals.openedition.org/tvseries/1614 |
| _version_ | 1819034546937528320 |
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| author | Pacôme Thiellement |
| author_facet | Pacôme Thiellement |
| author_sort | Pacôme Thiellement |
| collection | DOAJ |
| description | By inventing initiatory melodrama, by constructing a perfect gaze and by telling different love trajectories (be they perfect or imperfect), Lost embodies two things simultaneously for its spectator. Through the motif of the eye, the series puts us in the contemplative place of Jacob as protector of the series; through the hand, it attempts to make us experience an anamnesis based on great affection and the love we feel for the series’ characters. In the end, the love that the characters feel for one another is also the love they feel for us and that we feel for them. |
| first_indexed | 2024-12-21T07:35:28Z |
| format | Article |
| id | doaj.art-86186326f4ca44a0aeb7d2995f076d9b |
| institution | Directory Open Access Journal |
| issn | 2266-0909 |
| language | English |
| last_indexed | 2024-12-21T07:35:28Z |
| publishDate | 2016-10-01 |
| publisher | Groupe de Recherche Identités et Cultures |
| record_format | Article |
| series | TV Series |
| spelling | doaj.art-86186326f4ca44a0aeb7d2995f076d9b2022-12-21T19:11:29ZengGroupe de Recherche Identités et CulturesTV Series2266-09092016-10-0110.4000/tvseries.1614Lost ou le Vade-mecum des malades d’amourPacôme ThiellementBy inventing initiatory melodrama, by constructing a perfect gaze and by telling different love trajectories (be they perfect or imperfect), Lost embodies two things simultaneously for its spectator. Through the motif of the eye, the series puts us in the contemplative place of Jacob as protector of the series; through the hand, it attempts to make us experience an anamnesis based on great affection and the love we feel for the series’ characters. In the end, the love that the characters feel for one another is also the love they feel for us and that we feel for them.http://journals.openedition.org/tvseries/1614Lostlovemelodramacontemplationprotectorepiphany |
| spellingShingle | Pacôme Thiellement Lost ou le Vade-mecum des malades d’amour TV Series Lost love melodrama contemplation protector epiphany |
| title | Lost ou le Vade-mecum des malades d’amour |
| title_full | Lost ou le Vade-mecum des malades d’amour |
| title_fullStr | Lost ou le Vade-mecum des malades d’amour |
| title_full_unstemmed | Lost ou le Vade-mecum des malades d’amour |
| title_short | Lost ou le Vade-mecum des malades d’amour |
| title_sort | lost ou le vade mecum des malades d amour |
| topic | Lost love melodrama contemplation protector epiphany |
| url | http://journals.openedition.org/tvseries/1614 |
| work_keys_str_mv | AT pacomethiellement lostoulevademecumdesmaladesdamour |