Computational media and the paradox of permanence

Throughout history we have sought permanence in media, to store information, communicate, and help us deal with an ever-changing world. Analog media have carried out this task despite their slow, but inevitable, processes of physical decay. Today computational media are seen as fast, cheap, and conv...

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Main Authors: Miguel Carvalhais, Pedro Cardoso
Format: Article
Language:English
Published: DigiMedia - Digital Media and Interaction Research Center 2023-12-01
Series:Journal of Digital Media & Interaction
Subjects:
Online Access:https://proa.ua.pt/index.php/jdmi/article/view/32096
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author Miguel Carvalhais
Pedro Cardoso
author_facet Miguel Carvalhais
Pedro Cardoso
author_sort Miguel Carvalhais
collection DOAJ
description Throughout history we have sought permanence in media, to store information, communicate, and help us deal with an ever-changing world. Analog media have carried out this task despite their slow, but inevitable, processes of physical decay. Today computational media are seen as fast, cheap, and convenient alternatives for these tasks, even if they are quite the opposite, as they are anything but permanent. This paper argues that it is our refusal, and our fear, of impermanence that drives our desire to construct a worldview that is biased for permanence, even when the opposite lies before our eyes, as with computational media. This leads to a dissonance between the world as it is and the world as we perceive it, and to a paradox at the heart of computational media forms. This dissonance limits our relationships with these media, our literacy, and the ways how we can develop creative relationships with them and develop meaning.  
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spelling doaj.art-864e6f7b3c464caa99378afe36a99dce2023-12-31T05:59:46ZengDigiMedia - Digital Media and Interaction Research CenterJournal of Digital Media & Interaction2184-31202023-12-0161510.34624/jdmi.v6i15.32096Computational media and the paradox of permanenceMiguel Carvalhais0Pedro CardosoFBAUPThroughout history we have sought permanence in media, to store information, communicate, and help us deal with an ever-changing world. Analog media have carried out this task despite their slow, but inevitable, processes of physical decay. Today computational media are seen as fast, cheap, and convenient alternatives for these tasks, even if they are quite the opposite, as they are anything but permanent. This paper argues that it is our refusal, and our fear, of impermanence that drives our desire to construct a worldview that is biased for permanence, even when the opposite lies before our eyes, as with computational media. This leads to a dissonance between the world as it is and the world as we perceive it, and to a paradox at the heart of computational media forms. This dissonance limits our relationships with these media, our literacy, and the ways how we can develop creative relationships with them and develop meaning.   https://proa.ua.pt/index.php/jdmi/article/view/32096Computational MediaMeaning MakingParadoxPermanence
spellingShingle Miguel Carvalhais
Pedro Cardoso
Computational media and the paradox of permanence
Journal of Digital Media & Interaction
Computational Media
Meaning Making
Paradox
Permanence
title Computational media and the paradox of permanence
title_full Computational media and the paradox of permanence
title_fullStr Computational media and the paradox of permanence
title_full_unstemmed Computational media and the paradox of permanence
title_short Computational media and the paradox of permanence
title_sort computational media and the paradox of permanence
topic Computational Media
Meaning Making
Paradox
Permanence
url https://proa.ua.pt/index.php/jdmi/article/view/32096
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