Cinema and science, nature and culture

Faced with contemporary issues that call into question the boundaries between nature and culture, man and machine, society and environment, cinema is taken here as a guide for reflection on modern science by Bergson and Deleuze’s texts, among  other authors. Operating the passage from science to art...

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Main Author: Marcio Barreto
Format: Article
Language:English
Published: Universidade Federal de Santa Catarina 2017-05-01
Series:INTERthesis
Subjects:
Online Access:https://periodicos.ufsc.br/index.php/interthesis/article/view/45972
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author Marcio Barreto
author_facet Marcio Barreto
author_sort Marcio Barreto
collection DOAJ
description Faced with contemporary issues that call into question the boundaries between nature and culture, man and machine, society and environment, cinema is taken here as a guide for reflection on modern science by Bergson and Deleuze’s texts, among  other authors. Operating the passage from science to art and from art to science, cinema is here considered as a technical object and technical object as instrument to magnify perception. To highlight the artificiality of these borders, Newton's gravitational law is presented in its physical and metaphysical implications by the writings of Betty Dobbs and Newton himself. Through the lens of cinema, especially on movies such as 2001 A Space Odyssey, by Stanley Kubrick and Out of the present, by Andrei Ujica, the article shows that the power of cinema contributes to the perception that dimensions of science, which go beyond their alliances with the State and the market, are relevant to the challenges on the horizon of the 21’s century.
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spelling doaj.art-86b663d3ae8444ce8fdf35c192bddd932022-12-22T03:19:10ZengUniversidade Federal de Santa CatarinaINTERthesis1807-13842017-05-01142193810.5007/1807-1384.2017v14n2p1927136Cinema and science, nature and cultureMarcio Barreto0Universidade Estadual de Campinas, Campinas, SPFaced with contemporary issues that call into question the boundaries between nature and culture, man and machine, society and environment, cinema is taken here as a guide for reflection on modern science by Bergson and Deleuze’s texts, among  other authors. Operating the passage from science to art and from art to science, cinema is here considered as a technical object and technical object as instrument to magnify perception. To highlight the artificiality of these borders, Newton's gravitational law is presented in its physical and metaphysical implications by the writings of Betty Dobbs and Newton himself. Through the lens of cinema, especially on movies such as 2001 A Space Odyssey, by Stanley Kubrick and Out of the present, by Andrei Ujica, the article shows that the power of cinema contributes to the perception that dimensions of science, which go beyond their alliances with the State and the market, are relevant to the challenges on the horizon of the 21’s century.https://periodicos.ufsc.br/index.php/interthesis/article/view/45972CinemaNaturezaCulturaCiênciaHomem e MáquinaSociedade e Meio Ambiente
spellingShingle Marcio Barreto
Cinema and science, nature and culture
INTERthesis
Cinema
Natureza
Cultura
Ciência
Homem e Máquina
Sociedade e Meio Ambiente
title Cinema and science, nature and culture
title_full Cinema and science, nature and culture
title_fullStr Cinema and science, nature and culture
title_full_unstemmed Cinema and science, nature and culture
title_short Cinema and science, nature and culture
title_sort cinema and science nature and culture
topic Cinema
Natureza
Cultura
Ciência
Homem e Máquina
Sociedade e Meio Ambiente
url https://periodicos.ufsc.br/index.php/interthesis/article/view/45972
work_keys_str_mv AT marciobarreto cinemaandsciencenatureandculture