Le goût du temps : réflexions sur la construction de la conscience politique chez le spectateur
Traditionnally, live shows construct their spectators’ political consciousness through intellectual means. Taking George Tabori’s play Mein Kampf (Farce) (1987), Roberto Cossa’s La Nonna (1990), and Les Sept doigts de la main circus company’ show Cuisine et confessions (2014) as examples, this paper...
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Format: | Article |
Language: | English |
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Milano University Press
2017-06-01
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Series: | Itinera |
Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/8718 |
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author | Agathe Torti Alcayaga |
author_facet | Agathe Torti Alcayaga |
author_sort | Agathe Torti Alcayaga |
collection | DOAJ |
description | Traditionnally, live shows construct their spectators’ political consciousness through intellectual means. Taking George Tabori’s play Mein Kampf (Farce) (1987), Roberto Cossa’s La Nonna (1990), and Les Sept doigts de la main circus company’ show Cuisine et confessions (2014) as examples, this paper explores how the use of taste can also serve the same purpose. It demonstrates how the sense of taste is not necessarily antagonistic to « sense » as good understanding and judgement, and that it is notably through the transformation taste brings about in the relationship between stage and spectator time that both are reconciled. |
first_indexed | 2024-03-12T05:43:35Z |
format | Article |
id | doaj.art-86bd07bc713549b389a20d8889c84268 |
institution | Directory Open Access Journal |
issn | 2039-9251 |
language | English |
last_indexed | 2024-03-12T05:43:35Z |
publishDate | 2017-06-01 |
publisher | Milano University Press |
record_format | Article |
series | Itinera |
spelling | doaj.art-86bd07bc713549b389a20d8889c842682023-09-03T05:46:33ZengMilano University PressItinera2039-92512017-06-011310.13130/2039-9251/8718Le goût du temps : réflexions sur la construction de la conscience politique chez le spectateurAgathe Torti Alcayaga0Université de LorraineTraditionnally, live shows construct their spectators’ political consciousness through intellectual means. Taking George Tabori’s play Mein Kampf (Farce) (1987), Roberto Cossa’s La Nonna (1990), and Les Sept doigts de la main circus company’ show Cuisine et confessions (2014) as examples, this paper explores how the use of taste can also serve the same purpose. It demonstrates how the sense of taste is not necessarily antagonistic to « sense » as good understanding and judgement, and that it is notably through the transformation taste brings about in the relationship between stage and spectator time that both are reconciled.https://riviste.unimi.it/index.php/itinera/article/view/8718 |
spellingShingle | Agathe Torti Alcayaga Le goût du temps : réflexions sur la construction de la conscience politique chez le spectateur Itinera |
title | Le goût du temps : réflexions sur la construction de la conscience politique chez le spectateur |
title_full | Le goût du temps : réflexions sur la construction de la conscience politique chez le spectateur |
title_fullStr | Le goût du temps : réflexions sur la construction de la conscience politique chez le spectateur |
title_full_unstemmed | Le goût du temps : réflexions sur la construction de la conscience politique chez le spectateur |
title_short | Le goût du temps : réflexions sur la construction de la conscience politique chez le spectateur |
title_sort | le gout du temps reflexions sur la construction de la conscience politique chez le spectateur |
url | https://riviste.unimi.it/index.php/itinera/article/view/8718 |
work_keys_str_mv | AT agathetortialcayaga legoutdutempsreflexionssurlaconstructiondelaconsciencepolitiquechezlespectateur |