Le goût du temps : réflexions sur la construction de la conscience politique chez le spectateur

Traditionnally, live shows construct their spectators’ political consciousness through intellectual means. Taking George Tabori’s play Mein Kampf (Farce) (1987), Roberto Cossa’s La Nonna (1990), and Les Sept doigts de la main circus company’ show Cuisine et confessions (2014) as examples, this paper...

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Main Author: Agathe Torti Alcayaga
Format: Article
Language:English
Published: Milano University Press 2017-06-01
Series:Itinera
Online Access:https://riviste.unimi.it/index.php/itinera/article/view/8718
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author Agathe Torti Alcayaga
author_facet Agathe Torti Alcayaga
author_sort Agathe Torti Alcayaga
collection DOAJ
description Traditionnally, live shows construct their spectators’ political consciousness through intellectual means. Taking George Tabori’s play Mein Kampf (Farce) (1987), Roberto Cossa’s La Nonna (1990), and Les Sept doigts de la main circus company’ show Cuisine et confessions (2014) as examples, this paper explores how the use of taste can also serve the same purpose. It demonstrates how the sense of taste is not necessarily antagonistic to « sense » as good understanding and judgement, and that it is notably through the transformation taste brings about in the relationship between stage and spectator time that both are reconciled.
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spelling doaj.art-86bd07bc713549b389a20d8889c842682023-09-03T05:46:33ZengMilano University PressItinera2039-92512017-06-011310.13130/2039-9251/8718Le goût du temps : réflexions sur la construction de la conscience politique chez le spectateurAgathe Torti Alcayaga0Université de LorraineTraditionnally, live shows construct their spectators’ political consciousness through intellectual means. Taking George Tabori’s play Mein Kampf (Farce) (1987), Roberto Cossa’s La Nonna (1990), and Les Sept doigts de la main circus company’ show Cuisine et confessions (2014) as examples, this paper explores how the use of taste can also serve the same purpose. It demonstrates how the sense of taste is not necessarily antagonistic to « sense » as good understanding and judgement, and that it is notably through the transformation taste brings about in the relationship between stage and spectator time that both are reconciled.https://riviste.unimi.it/index.php/itinera/article/view/8718
spellingShingle Agathe Torti Alcayaga
Le goût du temps : réflexions sur la construction de la conscience politique chez le spectateur
Itinera
title Le goût du temps : réflexions sur la construction de la conscience politique chez le spectateur
title_full Le goût du temps : réflexions sur la construction de la conscience politique chez le spectateur
title_fullStr Le goût du temps : réflexions sur la construction de la conscience politique chez le spectateur
title_full_unstemmed Le goût du temps : réflexions sur la construction de la conscience politique chez le spectateur
title_short Le goût du temps : réflexions sur la construction de la conscience politique chez le spectateur
title_sort le gout du temps reflexions sur la construction de la conscience politique chez le spectateur
url https://riviste.unimi.it/index.php/itinera/article/view/8718
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