Seeds That Thin and Split: Motherhood, Femininity, and Rebellion in Roddy Doyle’s 'A Star Called Henry' and Lia Mills’ 'Fallen'

Focusing on representations of female rebellion in Roddy Doyle’s A Star Called Henry and Lia Mills’ Fallen, this article will consider the ways in which both novels dismantle and rearticulate the dominant symbolic trope of Irish womanhood in cultural nationalism, the Mother Ireland figure. Strategie...

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Main Author: Emma Radley
Format: Article
Language:English
Published: European Federation of Associations and Centres of Irish Studies 2018-10-01
Series:Review of Irish Studies in Europe
Online Access:http://risejournal.eu/index.php/rise/article/view/1894/1504
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author Emma Radley
author_facet Emma Radley
author_sort Emma Radley
collection DOAJ
description Focusing on representations of female rebellion in Roddy Doyle’s A Star Called Henry and Lia Mills’ Fallen, this article will consider the ways in which both novels dismantle and rearticulate the dominant symbolic trope of Irish womanhood in cultural nationalism, the Mother Ireland figure. Strategies such as the recovery of alternative ‘foremothers’ of Irish femininity, both mythological and historical; the construction of female collectives as radical sites of resistance; and, a focus on mother-daughter relationships as generative and productive, allow each novel to create new spaces from which a rejuvenated, more ethical female subject can emerge.
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spelling doaj.art-86bfbba94e6949099f712ee83dc1bb8d2022-12-22T03:04:33ZengEuropean Federation of Associations and Centres of Irish StudiesReview of Irish Studies in Europe2398-76852018-10-012289104https://doi.org/10.32803/rise.v2i2.1894Seeds That Thin and Split: Motherhood, Femininity, and Rebellion in Roddy Doyle’s 'A Star Called Henry' and Lia Mills’ 'Fallen'Emma RadleyFocusing on representations of female rebellion in Roddy Doyle’s A Star Called Henry and Lia Mills’ Fallen, this article will consider the ways in which both novels dismantle and rearticulate the dominant symbolic trope of Irish womanhood in cultural nationalism, the Mother Ireland figure. Strategies such as the recovery of alternative ‘foremothers’ of Irish femininity, both mythological and historical; the construction of female collectives as radical sites of resistance; and, a focus on mother-daughter relationships as generative and productive, allow each novel to create new spaces from which a rejuvenated, more ethical female subject can emerge.http://risejournal.eu/index.php/rise/article/view/1894/1504
spellingShingle Emma Radley
Seeds That Thin and Split: Motherhood, Femininity, and Rebellion in Roddy Doyle’s 'A Star Called Henry' and Lia Mills’ 'Fallen'
Review of Irish Studies in Europe
title Seeds That Thin and Split: Motherhood, Femininity, and Rebellion in Roddy Doyle’s 'A Star Called Henry' and Lia Mills’ 'Fallen'
title_full Seeds That Thin and Split: Motherhood, Femininity, and Rebellion in Roddy Doyle’s 'A Star Called Henry' and Lia Mills’ 'Fallen'
title_fullStr Seeds That Thin and Split: Motherhood, Femininity, and Rebellion in Roddy Doyle’s 'A Star Called Henry' and Lia Mills’ 'Fallen'
title_full_unstemmed Seeds That Thin and Split: Motherhood, Femininity, and Rebellion in Roddy Doyle’s 'A Star Called Henry' and Lia Mills’ 'Fallen'
title_short Seeds That Thin and Split: Motherhood, Femininity, and Rebellion in Roddy Doyle’s 'A Star Called Henry' and Lia Mills’ 'Fallen'
title_sort seeds that thin and split motherhood femininity and rebellion in roddy doyle s a star called henry and lia mills fallen
url http://risejournal.eu/index.php/rise/article/view/1894/1504
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