Exils, migrations et non-lieu identitaire dans Una Casa Vacía (1998, Raúl Osorio, TIT)

This article deals with the consequences of the migration process in Chilean theatre thanks to the staged presentation of Una Casa Vacía by the Taller de Investigación Teatral and Raúl Osorio in 1998, year of the Pinochet Case. Director of an independent company emblematic of theatrical counter-cult...

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Bibliographic Details
Main Author: Hélène Finet
Format: Article
Language:Spanish
Published: Groupe de Recherche Amérique Latine Histoire et Mémoire 2009-12-01
Series:Les Cahiers ALHIM
Subjects:
Online Access:https://journals.openedition.org/alhim/3326
Description
Summary:This article deals with the consequences of the migration process in Chilean theatre thanks to the staged presentation of Una Casa Vacía by the Taller de Investigación Teatral and Raúl Osorio in 1998, year of the Pinochet Case. Director of an independent company emblematic of theatrical counter-culture during the dictatorship years, we will show how Osorio manages to underline the issues of post-exile in the 1990’s addressing the topics of no man’s land identity meant by the impossible return to Chile.
ISSN:1628-6731
1777-5175