THE TECHNIQUE OF THE FEMALE CLASSICAL DANCE OF THE FIRST HALF OF THE 20th CENTURY

The article aims at the evolution of the female classical dance in the cultural space of Russia and European countries in the first half of the twentieth century. The article examines in detail the spread in the West of the Russian school of the female classical dance and its influence on the contin...

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Main Author: CASIAN TATIANA
Format: Article
Language:deu
Published: Notograf Prim 2020-09-01
Series:Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
Subjects:
Online Access:http://revista.amtap.md/wp-content/files_mf/159827475029.casian.tehnica.pdf
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author CASIAN TATIANA
author_facet CASIAN TATIANA
author_sort CASIAN TATIANA
collection DOAJ
description The article aims at the evolution of the female classical dance in the cultural space of Russia and European countries in the first half of the twentieth century. The article examines in detail the spread in the West of the Russian school of the female classical dance and its influence on the continuous development of ballet art in European countries. The period of 1909-1939 is considered to be the highest rise. During this time, all the components of ballet art – choreography, music, drama, fine arts – experinced a real flourishing. Simultaneously, there was a spatial distribution of the achievements of Russian ballet, their reproduction, as well as the synthesis of other ballet schools. This was due to the mass emigration of dancers and choreographers from Russia.
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spelling doaj.art-86f5862a4b89461b99f0834f92b5ccca2022-12-21T23:35:40ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312020-09-011(36)138142THE TECHNIQUE OF THE FEMALE CLASSICAL DANCE OF THE FIRST HALF OF THE 20th CENTURYCASIAN TATIANA 0Academy of Music, Theatre and Fine Arts The article aims at the evolution of the female classical dance in the cultural space of Russia and European countries in the first half of the twentieth century. The article examines in detail the spread in the West of the Russian school of the female classical dance and its influence on the continuous development of ballet art in European countries. The period of 1909-1939 is considered to be the highest rise. During this time, all the components of ballet art – choreography, music, drama, fine arts – experinced a real flourishing. Simultaneously, there was a spatial distribution of the achievements of Russian ballet, their reproduction, as well as the synthesis of other ballet schools. This was due to the mass emigration of dancers and choreographers from Russia.http://revista.amtap.md/wp-content/files_mf/159827475029.casian.tehnica.pdffemale classical dancerussian ballet
spellingShingle CASIAN TATIANA
THE TECHNIQUE OF THE FEMALE CLASSICAL DANCE OF THE FIRST HALF OF THE 20th CENTURY
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
female classical dance
russian ballet
title THE TECHNIQUE OF THE FEMALE CLASSICAL DANCE OF THE FIRST HALF OF THE 20th CENTURY
title_full THE TECHNIQUE OF THE FEMALE CLASSICAL DANCE OF THE FIRST HALF OF THE 20th CENTURY
title_fullStr THE TECHNIQUE OF THE FEMALE CLASSICAL DANCE OF THE FIRST HALF OF THE 20th CENTURY
title_full_unstemmed THE TECHNIQUE OF THE FEMALE CLASSICAL DANCE OF THE FIRST HALF OF THE 20th CENTURY
title_short THE TECHNIQUE OF THE FEMALE CLASSICAL DANCE OF THE FIRST HALF OF THE 20th CENTURY
title_sort technique of the female classical dance of the first half of the 20th century
topic female classical dance
russian ballet
url http://revista.amtap.md/wp-content/files_mf/159827475029.casian.tehnica.pdf
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