Rhythm pattern discovery in Niger-Congo story-telling

Description of interactive oral story-telling in West African Niger-Congo languages, “orature” in contrast to “literature”, has traditionally been firmly in the domain of anthropological linguistics. The discourse structures of narrator-responder interaction and call-response chanted interludes and...

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Main Author: Dafydd Gibbon
Format: Article
Language:English
Published: Frontiers Media S.A. 2023-05-01
Series:Frontiers in Communication
Subjects:
Online Access:https://www.frontiersin.org/articles/10.3389/fcomm.2023.1090030/full
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author Dafydd Gibbon
author_facet Dafydd Gibbon
author_sort Dafydd Gibbon
collection DOAJ
description Description of interactive oral story-telling in West African Niger-Congo languages, “orature” in contrast to “literature”, has traditionally been firmly in the domain of anthropological linguistics. The discourse structures of narrator-responder interaction and call-response chanted interludes and their prosody are an open challenge to discourse analysts, linguists and phoneticians. Two orature examples from related Niger-Congo languages, recorded during fieldwork in Côte d'Ivoire, are analyzed from a macrostructural acoustic phonetic perspective in terms of realtime rhythms, and then compared with other related orature examples and examples of reading aloud. In this transdisciplinary methodology, long time domains of up to 5 min in duration and beyond are studied using long-term spectra and spectrograms of the amplitude modulation of speech. Long-distance timing regularities and their variation during story-telling exchanges are analyzed in detail and explained in terms of Rhythm Formant Theory (RFT), a further development of Speech Modulation Theory, and its associated methodology Rhythm Formant Analysis (RFA).
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spelling doaj.art-870fb848d666424c833cba9ae4a6db742023-05-17T05:33:26ZengFrontiers Media S.A.Frontiers in Communication2297-900X2023-05-01810.3389/fcomm.2023.10900301090030Rhythm pattern discovery in Niger-Congo story-tellingDafydd GibbonDescription of interactive oral story-telling in West African Niger-Congo languages, “orature” in contrast to “literature”, has traditionally been firmly in the domain of anthropological linguistics. The discourse structures of narrator-responder interaction and call-response chanted interludes and their prosody are an open challenge to discourse analysts, linguists and phoneticians. Two orature examples from related Niger-Congo languages, recorded during fieldwork in Côte d'Ivoire, are analyzed from a macrostructural acoustic phonetic perspective in terms of realtime rhythms, and then compared with other related orature examples and examples of reading aloud. In this transdisciplinary methodology, long time domains of up to 5 min in duration and beyond are studied using long-term spectra and spectrograms of the amplitude modulation of speech. Long-distance timing regularities and their variation during story-telling exchanges are analyzed in detail and explained in terms of Rhythm Formant Theory (RFT), a further development of Speech Modulation Theory, and its associated methodology Rhythm Formant Analysis (RFA).https://www.frontiersin.org/articles/10.3389/fcomm.2023.1090030/fullRhythm Formant TheoryModulation Theoryspeech rhythmoraturestory-tellingEga
spellingShingle Dafydd Gibbon
Rhythm pattern discovery in Niger-Congo story-telling
Frontiers in Communication
Rhythm Formant Theory
Modulation Theory
speech rhythm
orature
story-telling
Ega
title Rhythm pattern discovery in Niger-Congo story-telling
title_full Rhythm pattern discovery in Niger-Congo story-telling
title_fullStr Rhythm pattern discovery in Niger-Congo story-telling
title_full_unstemmed Rhythm pattern discovery in Niger-Congo story-telling
title_short Rhythm pattern discovery in Niger-Congo story-telling
title_sort rhythm pattern discovery in niger congo story telling
topic Rhythm Formant Theory
Modulation Theory
speech rhythm
orature
story-telling
Ega
url https://www.frontiersin.org/articles/10.3389/fcomm.2023.1090030/full
work_keys_str_mv AT dafyddgibbon rhythmpatterndiscoveryinnigercongostorytelling