Plateformes de billetterie : une nouvelle étape dans l’industrialisation de la musique vivante ?

Important industrial movements are at work within live music in France, and those are articulated around ticketing platforms. There is a process of industrializing the sector, which appeared quite clearly through the three industrializing trends of technologization, rationalization, and ideologizati...

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Main Authors: Philippe Bouquillion, Olivier Thuillas, Louis Wiart
Format: Article
Language:English
Published: Université du Québec à Montréal
Series:Communiquer
Subjects:
Online Access:https://journals.openedition.org/communiquer/9630
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author Philippe Bouquillion
Olivier Thuillas
Louis Wiart
author_facet Philippe Bouquillion
Olivier Thuillas
Louis Wiart
author_sort Philippe Bouquillion
collection DOAJ
description Important industrial movements are at work within live music in France, and those are articulated around ticketing platforms. There is a process of industrializing the sector, which appeared quite clearly through the three industrializing trends of technologization, rationalization, and ideologization. In fact, the ticketing activity is at the heart of the strategies developed by large groups, which contributes inserting live music into financial and industrial dynamics, thus giving them a particularly significant market power. However, music professionals, and more specifically live music stages and operas, seek to reclaim ticketing services in order to maintain control over their data while keeping close ties with their audience.
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spelling doaj.art-873d6bc3f09846bd8f440378b3ceafe02024-04-04T09:51:57ZengUniversité du Québec à MontréalCommuniquer2368-958735072410.4000/communiquer.9630Plateformes de billetterie : une nouvelle étape dans l’industrialisation de la musique vivante ?Philippe BouquillionOlivier ThuillasLouis WiartImportant industrial movements are at work within live music in France, and those are articulated around ticketing platforms. There is a process of industrializing the sector, which appeared quite clearly through the three industrializing trends of technologization, rationalization, and ideologization. In fact, the ticketing activity is at the heart of the strategies developed by large groups, which contributes inserting live music into financial and industrial dynamics, thus giving them a particularly significant market power. However, music professionals, and more specifically live music stages and operas, seek to reclaim ticketing services in order to maintain control over their data while keeping close ties with their audience.https://journals.openedition.org/communiquer/9630digital platformmusicticketingindustrialization
spellingShingle Philippe Bouquillion
Olivier Thuillas
Louis Wiart
Plateformes de billetterie : une nouvelle étape dans l’industrialisation de la musique vivante ?
Communiquer
digital platform
music
ticketing
industrialization
title Plateformes de billetterie : une nouvelle étape dans l’industrialisation de la musique vivante ?
title_full Plateformes de billetterie : une nouvelle étape dans l’industrialisation de la musique vivante ?
title_fullStr Plateformes de billetterie : une nouvelle étape dans l’industrialisation de la musique vivante ?
title_full_unstemmed Plateformes de billetterie : une nouvelle étape dans l’industrialisation de la musique vivante ?
title_short Plateformes de billetterie : une nouvelle étape dans l’industrialisation de la musique vivante ?
title_sort plateformes de billetterie une nouvelle etape dans l industrialisation de la musique vivante
topic digital platform
music
ticketing
industrialization
url https://journals.openedition.org/communiquer/9630
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AT olivierthuillas plateformesdebilletterieunenouvelleetapedanslindustrialisationdelamusiquevivante
AT louiswiart plateformesdebilletterieunenouvelleetapedanslindustrialisationdelamusiquevivante