“Napoleonic” Petersburg and its Reflection in Dostoevsky’s Novel Crime and Punishment

The article is devoted to a specific socio-cultural phenomenon, called by the author “Napoleonic” Petersburg, and its reflection in Dostoevsky’s novel Crime and Punishment (1866). In the late 1830s — 1860s the Napoleonic myth manifested itself in several aspects of the cultural life of the capital o...

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Main Author: Nikolay N. Podosokorsky
Format: Article
Language:English
Published: Russian Academy of Sciences. A.M. Gorky Institute of World Literature 2022-12-01
Series:Достоевский и мировая культура: Филологический журнал
Subjects:
Online Access:http://dostmirkult.ru/images/2022-4/03_Podosokorsky_71-135.pdf
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author Nikolay N. Podosokorsky
author_facet Nikolay N. Podosokorsky
author_sort Nikolay N. Podosokorsky
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description The article is devoted to a specific socio-cultural phenomenon, called by the author “Napoleonic” Petersburg, and its reflection in Dostoevsky’s novel Crime and Punishment (1866). In the late 1830s — 1860s the Napoleonic myth manifested itself in several aspects of the cultural life of the capital of the Russian Empire: the names of public institutions, restaurant menus, apartment decorations, museum rarities, monuments, street shows, theatrical productions, literary works, psychological imitation of Napoleon, etc. The article presents an attempt to reconstruct how the “Napoleonic” Petersburg was formed and looked like during the time when Fyodor Dostoevsky, who dedicated several works to the life of people in Petersburg, fascinated by Napoleon (“Mr. Prokharchin,” White Nights, Notes from the Underground, etc.), lived and worked in it, before the creation of Crime and Punishment. The author’s research focuses on the novel Crime and Punishment and Rodion Raskolnikov, trying to become a new Napoleon and talking about the transformation of St. Petersburg and the greatness of historical figures as “living monuments” on which there is “not a body, but bronze.” It is shown how the realities of St. Petersburg (the Egyptian Bridge, the Alexander Column, the Kazan Cathedral, etc.) relate to the Napoleonic myth and are indirectly reflected in the text of Dostoevsky’s novel.
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spelling doaj.art-877ea4c3ba5e4c18a6e0211f046dc0e82022-12-22T04:40:08ZengRussian Academy of Sciences. A.M. Gorky Institute of World LiteratureДостоевский и мировая культура: Филологический журнал2619-03112712-85122022-12-014 (20)7113510.22455/2619-0311-2022-4-71-135“Napoleonic” Petersburg and its Reflection in Dostoevsky’s Novel Crime and PunishmentNikolay N. Podosokorsky0https://orcid.org/0000-0001-6310-1579A.M. Gorky Institute of World Literature of the Russian Academy of SciencesThe article is devoted to a specific socio-cultural phenomenon, called by the author “Napoleonic” Petersburg, and its reflection in Dostoevsky’s novel Crime and Punishment (1866). In the late 1830s — 1860s the Napoleonic myth manifested itself in several aspects of the cultural life of the capital of the Russian Empire: the names of public institutions, restaurant menus, apartment decorations, museum rarities, monuments, street shows, theatrical productions, literary works, psychological imitation of Napoleon, etc. The article presents an attempt to reconstruct how the “Napoleonic” Petersburg was formed and looked like during the time when Fyodor Dostoevsky, who dedicated several works to the life of people in Petersburg, fascinated by Napoleon (“Mr. Prokharchin,” White Nights, Notes from the Underground, etc.), lived and worked in it, before the creation of Crime and Punishment. The author’s research focuses on the novel Crime and Punishment and Rodion Raskolnikov, trying to become a new Napoleon and talking about the transformation of St. Petersburg and the greatness of historical figures as “living monuments” on which there is “not a body, but bronze.” It is shown how the realities of St. Petersburg (the Egyptian Bridge, the Alexander Column, the Kazan Cathedral, etc.) relate to the Napoleonic myth and are indirectly reflected in the text of Dostoevsky’s novel.http://dostmirkult.ru/images/2022-4/03_Podosokorsky_71-135.pdfnapoleonnapoleonic mythst. petersburgnapoleonic legendcrime and punishmentthe double“mr. prokharchin” notes from undergroundegyptian bridgekazan cathedralalexander columnvendome columnparis
spellingShingle Nikolay N. Podosokorsky
“Napoleonic” Petersburg and its Reflection in Dostoevsky’s Novel Crime and Punishment
Достоевский и мировая культура: Филологический журнал
napoleon
napoleonic myth
st. petersburg
napoleonic legend
crime and punishment
the double
“mr. prokharchin
” notes from underground
egyptian bridge
kazan cathedral
alexander column
vendome column
paris
title “Napoleonic” Petersburg and its Reflection in Dostoevsky’s Novel Crime and Punishment
title_full “Napoleonic” Petersburg and its Reflection in Dostoevsky’s Novel Crime and Punishment
title_fullStr “Napoleonic” Petersburg and its Reflection in Dostoevsky’s Novel Crime and Punishment
title_full_unstemmed “Napoleonic” Petersburg and its Reflection in Dostoevsky’s Novel Crime and Punishment
title_short “Napoleonic” Petersburg and its Reflection in Dostoevsky’s Novel Crime and Punishment
title_sort napoleonic petersburg and its reflection in dostoevsky s novel crime and punishment
topic napoleon
napoleonic myth
st. petersburg
napoleonic legend
crime and punishment
the double
“mr. prokharchin
” notes from underground
egyptian bridge
kazan cathedral
alexander column
vendome column
paris
url http://dostmirkult.ru/images/2022-4/03_Podosokorsky_71-135.pdf
work_keys_str_mv AT nikolaynpodosokorsky napoleonicpetersburganditsreflectionindostoevskysnovelcrimeandpunishment