Letture di un racconto: “Carmen” e la figura del cerchio

The success of Mérimée’s story has not diminished over time and today it still offers multiple readings that go beyond the realm of literature into those of music, theatre, movies and art in general. Thanks to its particular structure, the young gipsy’s transgressions, and the freedom she invokes, n...

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Main Author: Daniela De Agostini
Format: Article
Language:English
Published: LED - Edizioni Universitarie di Lettere Economia Diritto 2009-12-01
Series:Linguae &: Rivista di Lingue e Culture Moderne
Online Access:http://www.ledonline.it/index.php/linguae/article/view/254
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author Daniela De Agostini
author_facet Daniela De Agostini
author_sort Daniela De Agostini
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description The success of Mérimée’s story has not diminished over time and today it still offers multiple readings that go beyond the realm of literature into those of music, theatre, movies and art in general. Thanks to its particular structure, the young gipsy’s transgressions, and the freedom she invokes, no reader has escaped from her attraction, which is the incarnation of the poetry of seduction which transcends all codes, including linguistic and erotic ones. The eighteenth-century tragedy which Carmen represents is the symbol of a character whose destiny is guilt and innocence at the same time. Her ambivalence is her attraction. Angelic and demoniac at the same time, she becomes the forerunner of the femmes fatales which are so common at the end of the nineteenth century. The symbol of the circle, as in the ring Carmen wears, sets the story everywhere, and the final silence prepares for a new reading and interpretation.
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spelling doaj.art-87e43b5785ce49e0b5d77676720ce8fa2024-04-02T02:33:21ZengLED - Edizioni Universitarie di Lettere Economia DirittoLinguae &: Rivista di Lingue e Culture Moderne2281-89521724-86982009-12-0181920245Letture di un racconto: “Carmen” e la figura del cerchioDaniela De Agostini0Università degli Studi di Urbino Carlo BoThe success of Mérimée’s story has not diminished over time and today it still offers multiple readings that go beyond the realm of literature into those of music, theatre, movies and art in general. Thanks to its particular structure, the young gipsy’s transgressions, and the freedom she invokes, no reader has escaped from her attraction, which is the incarnation of the poetry of seduction which transcends all codes, including linguistic and erotic ones. The eighteenth-century tragedy which Carmen represents is the symbol of a character whose destiny is guilt and innocence at the same time. Her ambivalence is her attraction. Angelic and demoniac at the same time, she becomes the forerunner of the femmes fatales which are so common at the end of the nineteenth century. The symbol of the circle, as in the ring Carmen wears, sets the story everywhere, and the final silence prepares for a new reading and interpretation.http://www.ledonline.it/index.php/linguae/article/view/254
spellingShingle Daniela De Agostini
Letture di un racconto: “Carmen” e la figura del cerchio
Linguae &: Rivista di Lingue e Culture Moderne
title Letture di un racconto: “Carmen” e la figura del cerchio
title_full Letture di un racconto: “Carmen” e la figura del cerchio
title_fullStr Letture di un racconto: “Carmen” e la figura del cerchio
title_full_unstemmed Letture di un racconto: “Carmen” e la figura del cerchio
title_short Letture di un racconto: “Carmen” e la figura del cerchio
title_sort letture di un racconto carmen e la figura del cerchio
url http://www.ledonline.it/index.php/linguae/article/view/254
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