Love songs and serenades: a theoretical review of music and romantic relationships

In this theoretical review, we examine how the roles of music in mate choice and social bonding are expressed in romantic relationships. Darwin’s Descent of Man originally proposed the idea that musicality might have evolved as a sexually selected trait. This proposition, coupled with the portrayal...

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Main Authors: Joshua S. Bamford, Julia Vigl, Matias Hämäläinen, Suvi Helinä Saarikallio
Format: Article
Language:English
Published: Frontiers Media S.A. 2024-02-01
Series:Frontiers in Psychology
Subjects:
Online Access:https://www.frontiersin.org/articles/10.3389/fpsyg.2024.1302548/full
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author Joshua S. Bamford
Joshua S. Bamford
Julia Vigl
Julia Vigl
Matias Hämäläinen
Suvi Helinä Saarikallio
author_facet Joshua S. Bamford
Joshua S. Bamford
Julia Vigl
Julia Vigl
Matias Hämäläinen
Suvi Helinä Saarikallio
author_sort Joshua S. Bamford
collection DOAJ
description In this theoretical review, we examine how the roles of music in mate choice and social bonding are expressed in romantic relationships. Darwin’s Descent of Man originally proposed the idea that musicality might have evolved as a sexually selected trait. This proposition, coupled with the portrayal of popular musicians as sex symbols and the prevalence of love-themed lyrics in music, suggests a possible link between music and attraction. However, recent scientific exploration of the evolutionary functions of music has predominantly focused on theories of social bonding and group signaling, with limited research addressing the sexual selection hypothesis. We identify two distinct types of music-making for these different functions: music for attraction, which would be virtuosic in nature to display physical and cognitive fitness to potential mates; and music for connection, which would facilitate synchrony between partners and likely engage the same reward mechanisms seen in the general synchrony-bonding effect, enhancing perceived interpersonal intimacy as a facet of love. Linking these two musical functions to social psychological theories of relationship development and the components of love, we present a model that outlines the potential roles of music in romantic relationships, from initial attraction to ongoing relationship maintenance. In addition to synthesizing the existing literature, our model serves as a roadmap for empirical research aimed at rigorously investigating the possible functions of music for romantic relationships.
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spelling doaj.art-87f1eb2c04b7400791a1e89e042e879f2024-02-14T04:41:36ZengFrontiers Media S.A.Frontiers in Psychology1664-10782024-02-011510.3389/fpsyg.2024.13025481302548Love songs and serenades: a theoretical review of music and romantic relationshipsJoshua S. Bamford0Joshua S. Bamford1Julia Vigl2Julia Vigl3Matias Hämäläinen4Suvi Helinä Saarikallio5Centre of Excellence in Music, Mind, Body and Brain, University of Jyväskylä, Jyväskylä, FinlandInstitute of Human Sciences, University of Oxford, Oxford, United KingdomCentre of Excellence in Music, Mind, Body and Brain, University of Jyväskylä, Jyväskylä, FinlandDepartment of Psychology, University of Innsbruck, Innsbruck, AustriaCentre of Excellence in Music, Mind, Body and Brain, University of Jyväskylä, Jyväskylä, FinlandCentre of Excellence in Music, Mind, Body and Brain, University of Jyväskylä, Jyväskylä, FinlandIn this theoretical review, we examine how the roles of music in mate choice and social bonding are expressed in romantic relationships. Darwin’s Descent of Man originally proposed the idea that musicality might have evolved as a sexually selected trait. This proposition, coupled with the portrayal of popular musicians as sex symbols and the prevalence of love-themed lyrics in music, suggests a possible link between music and attraction. However, recent scientific exploration of the evolutionary functions of music has predominantly focused on theories of social bonding and group signaling, with limited research addressing the sexual selection hypothesis. We identify two distinct types of music-making for these different functions: music for attraction, which would be virtuosic in nature to display physical and cognitive fitness to potential mates; and music for connection, which would facilitate synchrony between partners and likely engage the same reward mechanisms seen in the general synchrony-bonding effect, enhancing perceived interpersonal intimacy as a facet of love. Linking these two musical functions to social psychological theories of relationship development and the components of love, we present a model that outlines the potential roles of music in romantic relationships, from initial attraction to ongoing relationship maintenance. In addition to synthesizing the existing literature, our model serves as a roadmap for empirical research aimed at rigorously investigating the possible functions of music for romantic relationships.https://www.frontiersin.org/articles/10.3389/fpsyg.2024.1302548/fullmate choiceromantic (love)dancesocial bonding hypothesishuman evolution
spellingShingle Joshua S. Bamford
Joshua S. Bamford
Julia Vigl
Julia Vigl
Matias Hämäläinen
Suvi Helinä Saarikallio
Love songs and serenades: a theoretical review of music and romantic relationships
Frontiers in Psychology
mate choice
romantic (love)
dance
social bonding hypothesis
human evolution
title Love songs and serenades: a theoretical review of music and romantic relationships
title_full Love songs and serenades: a theoretical review of music and romantic relationships
title_fullStr Love songs and serenades: a theoretical review of music and romantic relationships
title_full_unstemmed Love songs and serenades: a theoretical review of music and romantic relationships
title_short Love songs and serenades: a theoretical review of music and romantic relationships
title_sort love songs and serenades a theoretical review of music and romantic relationships
topic mate choice
romantic (love)
dance
social bonding hypothesis
human evolution
url https://www.frontiersin.org/articles/10.3389/fpsyg.2024.1302548/full
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