The Harmonic Minor Scale Provides an Optimum Way of Reducing Average Melodic Interval Size, Consistent with Sad Affect Cues
Small pitch movement is known to characterize sadness in speech prosody. Small melodic interval sizes have also been observed in nominally sad music—at least in the case of Western music. Starting with melodies in the major mode, a study is reported which examines the effect of different scale modif...
Main Authors: | David Huron, Matthew J. Davis |
---|---|
Format: | Article |
Language: | English |
Published: |
The Ohio State University Libraries
2013-08-01
|
Series: | Empirical Musicology Review |
Subjects: | |
Online Access: | https://doi.org/10.18061/emr.v7i3-4.3732 |
Similar Items
-
A Comparison of Average Pitch Height and Interval Size in Major- and Minor-key Themes: Evidence Consistent with Affect-related Pitch Prosody
by: David Huron
Published: (2008-05-01) -
Western Classical Music in the Minor Mode Is Slower (Except in the Romantic Period)
by: Olaf Post, et al.
Published: (2009-04-01) -
Rehabilitation of Aphasia: application of the Melodic-Rhythmic Therapy to the Italian Language
by: Maria Daniela eCortese, et al.
Published: (2015-09-01) -
A Comparison of Dynamics in Major- and Minor-key Works
by: Ben Turner, et al.
Published: (2008-05-01) -
Pitch Frames as Melodic Archetypes
by: William Thomson
Published: (2006-09-01)