Counter-Devices of Moving Image: The Werner Nekes Collection

If we trace an archaeological perspective on the history of moving image, we will invariably find innumerable visual devices that both belong to the field of science and that have become popular optical toys. Allowing therefore to put in discussion if the nature of cinematic experience is in fact ro...

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Main Author: Maria Mire
Format: Article
Language:English
Published: Universidade Católica Portuguesa 2020-07-01
Series:Journal of Science and Technology of the Arts
Subjects:
Online Access:https://revistas.ucp.pt/index.php/jsta/article/view/8529
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author Maria Mire
author_facet Maria Mire
author_sort Maria Mire
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description If we trace an archaeological perspective on the history of moving image, we will invariably find innumerable visual devices that both belong to the field of science and that have become popular optical toys. Allowing therefore to put in discussion if the nature of cinematic experience is in fact rooted historically in cinema, since this is a diffuse experience, synthesized in devices that wanted to give back anima to what had previously been fixed in an image. It is for this precise reason that it is particularly pertinent to approach in this context the Werner Nekes' collection of optical devices, because it possesses unique qualities as an archive that condenses the history of visual media, cross-referencing it with visual culture in its popular expression, as well as with the universe of fine arts and contemporary art.
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spelling doaj.art-885b649af83f48cfa1fb7c566be29c402022-12-22T03:07:09ZengUniversidade Católica PortuguesaJournal of Science and Technology of the Arts1646-97982183-00882020-07-0112210.34632/jsta.2020.8529Counter-Devices of Moving Image: The Werner Nekes CollectionMaria Mire0Ar.Co – Centro de Arte e Comunicação VisualIf we trace an archaeological perspective on the history of moving image, we will invariably find innumerable visual devices that both belong to the field of science and that have become popular optical toys. Allowing therefore to put in discussion if the nature of cinematic experience is in fact rooted historically in cinema, since this is a diffuse experience, synthesized in devices that wanted to give back anima to what had previously been fixed in an image. It is for this precise reason that it is particularly pertinent to approach in this context the Werner Nekes' collection of optical devices, because it possesses unique qualities as an archive that condenses the history of visual media, cross-referencing it with visual culture in its popular expression, as well as with the universe of fine arts and contemporary art.https://revistas.ucp.pt/index.php/jsta/article/view/8529Media archaeologyOptical devicesMoving imageContemporary artCinema
spellingShingle Maria Mire
Counter-Devices of Moving Image: The Werner Nekes Collection
Journal of Science and Technology of the Arts
Media archaeology
Optical devices
Moving image
Contemporary art
Cinema
title Counter-Devices of Moving Image: The Werner Nekes Collection
title_full Counter-Devices of Moving Image: The Werner Nekes Collection
title_fullStr Counter-Devices of Moving Image: The Werner Nekes Collection
title_full_unstemmed Counter-Devices of Moving Image: The Werner Nekes Collection
title_short Counter-Devices of Moving Image: The Werner Nekes Collection
title_sort counter devices of moving image the werner nekes collection
topic Media archaeology
Optical devices
Moving image
Contemporary art
Cinema
url https://revistas.ucp.pt/index.php/jsta/article/view/8529
work_keys_str_mv AT mariamire counterdevicesofmovingimagethewernernekescollection