Music Derived from Other Sources
One imagines composed music as originating in the mind of an author. Indeed, I have for the last six decades been composing music in this fashion. However, for the last five decades I have also been repeatedly attracted to various methods of deriving music from sources both inside and outside of mus...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Universidade Católica Portuguesa
2021-04-01
|
| Series: | Journal of Science and Technology of the Arts |
| Subjects: | |
| Online Access: | https://revistas.ucp.pt/index.php/jsta/article/view/9632 |
| _version_ | 1818902570106617856 |
|---|---|
| author | Clarence Barlow |
| author_facet | Clarence Barlow |
| author_sort | Clarence Barlow |
| collection | DOAJ |
| description | One imagines composed music as originating in the mind of an author. Indeed, I have for the last six decades been composing music in this fashion. However, for the last five decades I have also been repeatedly attracted to various methods of deriving music from sources both inside and outside of music, viz. linguistic, acoustic, visual and mathematical as well as other works of music. For most of these operations I have resorted to strict algorithmic means and the use of computer programming. For instance the linguistic: I have used text orthography, spectral analyses of human speech, digital recordings of the human voice, and synthetic semantic structures. This paper is the most comprehensive text on my work in this field. |
| first_indexed | 2024-12-19T20:37:45Z |
| format | Article |
| id | doaj.art-8867be72ae984f25a377376ef82bcf64 |
| institution | Directory Open Access Journal |
| issn | 1646-9798 2183-0088 |
| language | English |
| last_indexed | 2024-12-19T20:37:45Z |
| publishDate | 2021-04-01 |
| publisher | Universidade Católica Portuguesa |
| record_format | Article |
| series | Journal of Science and Technology of the Arts |
| spelling | doaj.art-8867be72ae984f25a377376ef82bcf642022-12-21T20:06:28ZengUniversidade Católica PortuguesaJournal of Science and Technology of the Arts1646-97982183-00882021-04-0113110.34632/jsta.2021.9632Music Derived from Other SourcesClarence Barlow0University of California, Santa BarbaraOne imagines composed music as originating in the mind of an author. Indeed, I have for the last six decades been composing music in this fashion. However, for the last five decades I have also been repeatedly attracted to various methods of deriving music from sources both inside and outside of music, viz. linguistic, acoustic, visual and mathematical as well as other works of music. For most of these operations I have resorted to strict algorithmic means and the use of computer programming. For instance the linguistic: I have used text orthography, spectral analyses of human speech, digital recordings of the human voice, and synthetic semantic structures. This paper is the most comprehensive text on my work in this field.https://revistas.ucp.pt/index.php/jsta/article/view/9632LinguisticsRecordingsSonificationHarmonyMetre |
| spellingShingle | Clarence Barlow Music Derived from Other Sources Journal of Science and Technology of the Arts Linguistics Recordings Sonification Harmony Metre |
| title | Music Derived from Other Sources |
| title_full | Music Derived from Other Sources |
| title_fullStr | Music Derived from Other Sources |
| title_full_unstemmed | Music Derived from Other Sources |
| title_short | Music Derived from Other Sources |
| title_sort | music derived from other sources |
| topic | Linguistics Recordings Sonification Harmony Metre |
| url | https://revistas.ucp.pt/index.php/jsta/article/view/9632 |
| work_keys_str_mv | AT clarencebarlow musicderivedfromothersources |