SELF-FASHIONING IN RENAISSANCE DUBROVNIK: MARIN DRŽIĆ VIDRA (1508-1567)

Modern interpretation methods of the most important works of European Renaissance provide new opportunities in the interpretation of comedies of Dubrovnik writer Marin Držić. This especially applies to the theory of the new historicism, whose most important representative Stephen Greenblatt in his...

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Main Author: Irena Arsić
Format: Article
Language:English
Published: Institute for Human Rehabilitation 2017-09-01
Series:Human Research in Rehabilitation
Subjects:
Online Access:https://human.ba/wpdm-package/full-text-126/?wpdmdl=886
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author Irena Arsić
author_facet Irena Arsić
author_sort Irena Arsić
collection DOAJ
description Modern interpretation methods of the most important works of European Renaissance provide new opportunities in the interpretation of comedies of Dubrovnik writer Marin Držić. This especially applies to the theory of the new historicism, whose most important representative Stephen Greenblatt in his classic work Renaissance self-fashioning, provides an opportunity to examine Držić and his work according to this theory that deals withthe identity of the Renaissance creators, which was also the goal of this work. In this way new and more detailed analysis of Držić pastoral, farce and Plautuscomedy was opened, which will prove againthe classical quality and timeless value of the dramatic work of the greatest renaissance writer in our region.
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spelling doaj.art-88b6e68d40654339937232e1ee8eee1a2023-12-03T12:01:58ZengInstitute for Human RehabilitationHuman Research in Rehabilitation2232-99352232-996X2017-09-0172909310.21554/hrr.091709SELF-FASHIONING IN RENAISSANCE DUBROVNIK: MARIN DRŽIĆ VIDRA (1508-1567)Irena Arsić0Faculty of Philosophy, University in Niš, Republic of SerbiaModern interpretation methods of the most important works of European Renaissance provide new opportunities in the interpretation of comedies of Dubrovnik writer Marin Držić. This especially applies to the theory of the new historicism, whose most important representative Stephen Greenblatt in his classic work Renaissance self-fashioning, provides an opportunity to examine Držić and his work according to this theory that deals withthe identity of the Renaissance creators, which was also the goal of this work. In this way new and more detailed analysis of Držić pastoral, farce and Plautuscomedy was opened, which will prove againthe classical quality and timeless value of the dramatic work of the greatest renaissance writer in our region.https://human.ba/wpdm-package/full-text-126/?wpdmdl=886DubrovnikRenaissanceMarin Držićidentitynew historicismsubversive literatureself-fashioning
spellingShingle Irena Arsić
SELF-FASHIONING IN RENAISSANCE DUBROVNIK: MARIN DRŽIĆ VIDRA (1508-1567)
Human Research in Rehabilitation
Dubrovnik
Renaissance
Marin Držić
identity
new historicism
subversive literature
self-fashioning
title SELF-FASHIONING IN RENAISSANCE DUBROVNIK: MARIN DRŽIĆ VIDRA (1508-1567)
title_full SELF-FASHIONING IN RENAISSANCE DUBROVNIK: MARIN DRŽIĆ VIDRA (1508-1567)
title_fullStr SELF-FASHIONING IN RENAISSANCE DUBROVNIK: MARIN DRŽIĆ VIDRA (1508-1567)
title_full_unstemmed SELF-FASHIONING IN RENAISSANCE DUBROVNIK: MARIN DRŽIĆ VIDRA (1508-1567)
title_short SELF-FASHIONING IN RENAISSANCE DUBROVNIK: MARIN DRŽIĆ VIDRA (1508-1567)
title_sort self fashioning in renaissance dubrovnik marin drzic vidra 1508 1567
topic Dubrovnik
Renaissance
Marin Držić
identity
new historicism
subversive literature
self-fashioning
url https://human.ba/wpdm-package/full-text-126/?wpdmdl=886
work_keys_str_mv AT irenaarsic selffashioninginrenaissancedubrovnikmarindrzicvidra15081567