Surviving the Wreck: Herman Melville, The Death of Klinghoffer, and the Power of Catastrophe

Alice Goodman’s libretto for The Death of Klinghoffer, John Adams’s second opera, is replete with echoes of Melville; similarities with Moby-Dick abound in terms of plot and because both works appear shrouded in an atmosphere of moral uncertainty and metaphysical doubt. Does this mean that Goodman’s...

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Main Author: Mathieu Duplay
Format: Article
Language:English
Published: Université Toulouse - Jean Jaurès 2022-10-01
Series:Miranda: Revue Pluridisciplinaire du Monde Anglophone
Subjects:
Online Access:http://journals.openedition.org/miranda/47706
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author Mathieu Duplay
author_facet Mathieu Duplay
author_sort Mathieu Duplay
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description Alice Goodman’s libretto for The Death of Klinghoffer, John Adams’s second opera, is replete with echoes of Melville; similarities with Moby-Dick abound in terms of plot and because both works appear shrouded in an atmosphere of moral uncertainty and metaphysical doubt. Does this mean that Goodman’s Klinghoffer libretto can be regarded as a creative reimagining of Melville’s great novel? The following paper answers this question in the negative. Goodman’s text does not rewrite Melville’s narrative; it is haunted by it as by some obscure, unimaginable trauma of which the Achille Lauro’s tragic fate, like the Pequod’s, is a terrifying manifestation.
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spelling doaj.art-88c5e487144e4207b5c358140703f98d2022-12-22T02:42:33ZengUniversité Toulouse - Jean JaurèsMiranda: Revue Pluridisciplinaire du Monde Anglophone2108-65592022-10-012610.4000/miranda.47706Surviving the Wreck: Herman Melville, The Death of Klinghoffer, and the Power of CatastropheMathieu DuplayAlice Goodman’s libretto for The Death of Klinghoffer, John Adams’s second opera, is replete with echoes of Melville; similarities with Moby-Dick abound in terms of plot and because both works appear shrouded in an atmosphere of moral uncertainty and metaphysical doubt. Does this mean that Goodman’s Klinghoffer libretto can be regarded as a creative reimagining of Melville’s great novel? The following paper answers this question in the negative. Goodman’s text does not rewrite Melville’s narrative; it is haunted by it as by some obscure, unimaginable trauma of which the Achille Lauro’s tragic fate, like the Pequod’s, is a terrifying manifestation.http://journals.openedition.org/miranda/47706operatraumaintertextualityIsraeli-Palestinian conflict
spellingShingle Mathieu Duplay
Surviving the Wreck: Herman Melville, The Death of Klinghoffer, and the Power of Catastrophe
Miranda: Revue Pluridisciplinaire du Monde Anglophone
opera
trauma
intertextuality
Israeli-Palestinian conflict
title Surviving the Wreck: Herman Melville, The Death of Klinghoffer, and the Power of Catastrophe
title_full Surviving the Wreck: Herman Melville, The Death of Klinghoffer, and the Power of Catastrophe
title_fullStr Surviving the Wreck: Herman Melville, The Death of Klinghoffer, and the Power of Catastrophe
title_full_unstemmed Surviving the Wreck: Herman Melville, The Death of Klinghoffer, and the Power of Catastrophe
title_short Surviving the Wreck: Herman Melville, The Death of Klinghoffer, and the Power of Catastrophe
title_sort surviving the wreck herman melville the death of klinghoffer and the power of catastrophe
topic opera
trauma
intertextuality
Israeli-Palestinian conflict
url http://journals.openedition.org/miranda/47706
work_keys_str_mv AT mathieuduplay survivingthewreckhermanmelvillethedeathofklinghofferandthepowerofcatastrophe