A reassessment of middle Byzantine monumental painting on Mount Athos. Patronage, dating and style
Our view of Middle Byzantine monumental painting on Mount Athos remains fragmentary, mainly due to the absence of textual sources on workshops and patronage. Thus, the attribution of pictorial ensembles to this period largely depends on their association with the artistic environments of...
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| 格式: | Article |
| 語言: | deu |
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Faculty of Philosophy, Belgrade
2021-01-01
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| 叢編: | Zograf |
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| 在線閱讀: | http://www.doiserbia.nb.rs/img/doi/0350-1361/2021/0350-13612145079V.pdf |
| 總結: | Our view of Middle Byzantine monumental painting on Mount Athos remains
fragmentary, mainly due to the absence of textual sources on workshops and
patronage. Thus, the attribution of pictorial ensembles to this period
largely depends on their association with the artistic environments of
Komnenian Constantinople and Thessalonike. Based on epigraphic, iconographic
and stylistic evidence, the following article will offer an overall
assessment of the extant fragments raising new questions as to their style,
dating and patrons. |
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| ISSN: | 0350-1361 2406-0755 |