La fonction dramatique du dialogue dans les romans médiévaux

Medieval romances are characterized by a very important structural function of the dialogues. They can be classified into two categories according to their function in the action and regardless of the reported speech they use. The first category is the catalyst dialogues, which modify a situation ei...

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Main Author: Corinne Denoyelle
Format: Article
Language:fra
Published: Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
Series:Cahiers de Narratologie
Subjects:
Online Access:https://journals.openedition.org/narratologie/6219
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author Corinne Denoyelle
author_facet Corinne Denoyelle
author_sort Corinne Denoyelle
collection DOAJ
description Medieval romances are characterized by a very important structural function of the dialogues. They can be classified into two categories according to their function in the action and regardless of the reported speech they use. The first category is the catalyst dialogues, which modify a situation either by engaging the characters in the action through an order or a decision, or by freeing them from the action, when it is considered as having ended. These dialogues create a new combination by merging components of the action. The second category is composed of analytic dialogues, which clarify the action. They can be removed from the story with respect to the action but not meaning. They either illustrate the scene by adding emblematic language, or they comment on it. Some particularly long dialogues act as a scene in themselves and are made up with the same phases of involvement and disengagement. This third category intersects the two others. This typology is not linked to the size or the literary merit of the dialogues.
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spelling doaj.art-88dc5007065d4fcfae2103064b708a162024-02-13T13:10:06ZfraLaboratoire Interdisciplinaire Récits Cultures Et SociétésCahiers de Narratologie0993-85161765-307X1910.4000/narratologie.6219La fonction dramatique du dialogue dans les romans médiévauxCorinne DenoyelleMedieval romances are characterized by a very important structural function of the dialogues. They can be classified into two categories according to their function in the action and regardless of the reported speech they use. The first category is the catalyst dialogues, which modify a situation either by engaging the characters in the action through an order or a decision, or by freeing them from the action, when it is considered as having ended. These dialogues create a new combination by merging components of the action. The second category is composed of analytic dialogues, which clarify the action. They can be removed from the story with respect to the action but not meaning. They either illustrate the scene by adding emblematic language, or they comment on it. Some particularly long dialogues act as a scene in themselves and are made up with the same phases of involvement and disengagement. This third category intersects the two others. This typology is not linked to the size or the literary merit of the dialogues.https://journals.openedition.org/narratologie/6219medieval romancesnarrative functionsdialogues
spellingShingle Corinne Denoyelle
La fonction dramatique du dialogue dans les romans médiévaux
Cahiers de Narratologie
medieval romances
narrative functions
dialogues
title La fonction dramatique du dialogue dans les romans médiévaux
title_full La fonction dramatique du dialogue dans les romans médiévaux
title_fullStr La fonction dramatique du dialogue dans les romans médiévaux
title_full_unstemmed La fonction dramatique du dialogue dans les romans médiévaux
title_short La fonction dramatique du dialogue dans les romans médiévaux
title_sort la fonction dramatique du dialogue dans les romans medievaux
topic medieval romances
narrative functions
dialogues
url https://journals.openedition.org/narratologie/6219
work_keys_str_mv AT corinnedenoyelle lafonctiondramatiquedudialoguedanslesromansmedievaux