Il pomo d’oro of Cesti, Sbarra and Burcacini, from the National Library (Madrid)

The National Library, in Madrid, preserve a Treatise copy of Antonio Cesti and Francesco Sbarra, whose stages set were designed for Giovanni Burnacini, to joining Imperial marriage between the Kaiser Leopold I and Margarita Teresa, the King’s daughter Felipe IV of Spain. Il Pomo d’Oro play the Vener...

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Main Author: Esther Merino
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2009-04-01
Series:Anales de Historia del Arte
Subjects:
Online Access:http://revistasculturales.ucm.es/index.php/ANHA/article/view/32048
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author Esther Merino
author_facet Esther Merino
author_sort Esther Merino
collection DOAJ
description The National Library, in Madrid, preserve a Treatise copy of Antonio Cesti and Francesco Sbarra, whose stages set were designed for Giovanni Burnacini, to joining Imperial marriage between the Kaiser Leopold I and Margarita Teresa, the King’s daughter Felipe IV of Spain. Il Pomo d’Oro play the Venere Triumph of Paris Choice, which began the mythical Trojan’s War. The emblematic or symbolical merrymaking meaning involved the acknowledgement of Spanish Princess like a Lovely Goddess and the Hapsburg’s Triumph. Within the Burnacini’s staging assembly became the Baroque Italian Scenery.
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spelling doaj.art-898a42833ddb4fc6ba7abc829f7f5aec2022-12-21T18:32:15ZengUniversidad Complutense de MadridAnales de Historia del Arte0214-64521988-24912009-04-011814116632043Il pomo d’oro of Cesti, Sbarra and Burcacini, from the National Library (Madrid)Esther MerinoThe National Library, in Madrid, preserve a Treatise copy of Antonio Cesti and Francesco Sbarra, whose stages set were designed for Giovanni Burnacini, to joining Imperial marriage between the Kaiser Leopold I and Margarita Teresa, the King’s daughter Felipe IV of Spain. Il Pomo d’Oro play the Venere Triumph of Paris Choice, which began the mythical Trojan’s War. The emblematic or symbolical merrymaking meaning involved the acknowledgement of Spanish Princess like a Lovely Goddess and the Hapsburg’s Triumph. Within the Burnacini’s staging assembly became the Baroque Italian Scenery.http://revistasculturales.ucm.es/index.php/ANHA/article/view/32048escenografía italianaiconografía barrocafestival barrocoarte y arquitectura efímera
spellingShingle Esther Merino
Il pomo d’oro of Cesti, Sbarra and Burcacini, from the National Library (Madrid)
Anales de Historia del Arte
escenografía italiana
iconografía barroca
festival barroco
arte y arquitectura efímera
title Il pomo d’oro of Cesti, Sbarra and Burcacini, from the National Library (Madrid)
title_full Il pomo d’oro of Cesti, Sbarra and Burcacini, from the National Library (Madrid)
title_fullStr Il pomo d’oro of Cesti, Sbarra and Burcacini, from the National Library (Madrid)
title_full_unstemmed Il pomo d’oro of Cesti, Sbarra and Burcacini, from the National Library (Madrid)
title_short Il pomo d’oro of Cesti, Sbarra and Burcacini, from the National Library (Madrid)
title_sort il pomo d oro of cesti sbarra and burcacini from the national library madrid
topic escenografía italiana
iconografía barroca
festival barroco
arte y arquitectura efímera
url http://revistasculturales.ucm.es/index.php/ANHA/article/view/32048
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