Il pomo d’oro of Cesti, Sbarra and Burcacini, from the National Library (Madrid)
The National Library, in Madrid, preserve a Treatise copy of Antonio Cesti and Francesco Sbarra, whose stages set were designed for Giovanni Burnacini, to joining Imperial marriage between the Kaiser Leopold I and Margarita Teresa, the King’s daughter Felipe IV of Spain. Il Pomo d’Oro play the Vener...
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Format: | Article |
Language: | English |
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Universidad Complutense de Madrid
2009-04-01
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Series: | Anales de Historia del Arte |
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Online Access: | http://revistasculturales.ucm.es/index.php/ANHA/article/view/32048 |
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author | Esther Merino |
author_facet | Esther Merino |
author_sort | Esther Merino |
collection | DOAJ |
description | The National Library, in Madrid, preserve a Treatise copy of Antonio Cesti and Francesco Sbarra, whose stages set were designed for Giovanni Burnacini, to joining Imperial marriage between the Kaiser Leopold I and Margarita Teresa, the King’s daughter Felipe IV of Spain. Il Pomo d’Oro play the Venere Triumph of Paris Choice, which began the mythical Trojan’s War. The emblematic or symbolical merrymaking meaning involved the acknowledgement of Spanish Princess like a Lovely Goddess and the Hapsburg’s Triumph. Within the Burnacini’s staging assembly became the Baroque Italian Scenery. |
first_indexed | 2024-12-22T08:40:08Z |
format | Article |
id | doaj.art-898a42833ddb4fc6ba7abc829f7f5aec |
institution | Directory Open Access Journal |
issn | 0214-6452 1988-2491 |
language | English |
last_indexed | 2024-12-22T08:40:08Z |
publishDate | 2009-04-01 |
publisher | Universidad Complutense de Madrid |
record_format | Article |
series | Anales de Historia del Arte |
spelling | doaj.art-898a42833ddb4fc6ba7abc829f7f5aec2022-12-21T18:32:15ZengUniversidad Complutense de MadridAnales de Historia del Arte0214-64521988-24912009-04-011814116632043Il pomo d’oro of Cesti, Sbarra and Burcacini, from the National Library (Madrid)Esther MerinoThe National Library, in Madrid, preserve a Treatise copy of Antonio Cesti and Francesco Sbarra, whose stages set were designed for Giovanni Burnacini, to joining Imperial marriage between the Kaiser Leopold I and Margarita Teresa, the King’s daughter Felipe IV of Spain. Il Pomo d’Oro play the Venere Triumph of Paris Choice, which began the mythical Trojan’s War. The emblematic or symbolical merrymaking meaning involved the acknowledgement of Spanish Princess like a Lovely Goddess and the Hapsburg’s Triumph. Within the Burnacini’s staging assembly became the Baroque Italian Scenery.http://revistasculturales.ucm.es/index.php/ANHA/article/view/32048escenografía italianaiconografía barrocafestival barrocoarte y arquitectura efímera |
spellingShingle | Esther Merino Il pomo d’oro of Cesti, Sbarra and Burcacini, from the National Library (Madrid) Anales de Historia del Arte escenografía italiana iconografía barroca festival barroco arte y arquitectura efímera |
title | Il pomo d’oro of Cesti, Sbarra and Burcacini, from the National Library (Madrid) |
title_full | Il pomo d’oro of Cesti, Sbarra and Burcacini, from the National Library (Madrid) |
title_fullStr | Il pomo d’oro of Cesti, Sbarra and Burcacini, from the National Library (Madrid) |
title_full_unstemmed | Il pomo d’oro of Cesti, Sbarra and Burcacini, from the National Library (Madrid) |
title_short | Il pomo d’oro of Cesti, Sbarra and Burcacini, from the National Library (Madrid) |
title_sort | il pomo d oro of cesti sbarra and burcacini from the national library madrid |
topic | escenografía italiana iconografía barroca festival barroco arte y arquitectura efímera |
url | http://revistasculturales.ucm.es/index.php/ANHA/article/view/32048 |
work_keys_str_mv | AT esthermerino ilpomodoroofcestisbarraandburcacinifromthenationallibrarymadrid |