Rizal, The Social Portraitist

This paper attempts to direct on how to understand the two famous novels of Rizal – Noli Me Tangere and El Filibusterismo – within the context of Rizal's intent to expose the social ills of his time. With the use of Charles Derbyshire's translations of The Social Cancer and The Reign of G...

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Main Authors: Emmanuel Jeric A. Albela, Antonio C. Hila
Format: Article
Language:English
Published: University of Negros Occidental-Recoletos Graduate School 2020-06-01
Series:Philippine Social Science Journal
Subjects:
Online Access:https://www.philssj.org/index.php/main/article/view/117
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author Emmanuel Jeric A. Albela
Antonio C. Hila
author_facet Emmanuel Jeric A. Albela
Antonio C. Hila
author_sort Emmanuel Jeric A. Albela
collection DOAJ
description This paper attempts to direct on how to understand the two famous novels of Rizal – Noli Me Tangere and El Filibusterismo – within the context of Rizal's intent to expose the social ills of his time. With the use of Charles Derbyshire's translations of The Social Cancer and The Reign of Greed, the researchers explain and show the essential details of the novels and how they reflect historical, social realities as exposed in literary terms – using allegory as synthesis. It includes a re-assessment of the characters in both novels, the key places in the story, conflicts, and how these conflicts are resolved towards the end. The study conveys how Rizal expressed his reflections on and critique of the Philippine society through character and institutional symbolisms. Using historical hermeneutics as a method of the study, the researcher will keep an eye on the available sources and collections of literature, thereby putting the novels in their proper contexts, which properly define Rizal as a novelist and a social critic.
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spelling doaj.art-899233b77b0343fd8ebadee97483f1332022-12-22T04:11:32ZengUniversity of Negros Occidental-Recoletos Graduate SchoolPhilippine Social Science Journal2672-31072704-288X2020-06-013110.52006/main.v3i1.117Rizal, The Social PortraitistEmmanuel Jeric A. Albela0Antonio C. Hila1The Graduate School, University of Santo Tomas, Manila, PhilippinesThe Graduate School, University of Santo Tomas, Manila, Philippines This paper attempts to direct on how to understand the two famous novels of Rizal – Noli Me Tangere and El Filibusterismo – within the context of Rizal's intent to expose the social ills of his time. With the use of Charles Derbyshire's translations of The Social Cancer and The Reign of Greed, the researchers explain and show the essential details of the novels and how they reflect historical, social realities as exposed in literary terms – using allegory as synthesis. It includes a re-assessment of the characters in both novels, the key places in the story, conflicts, and how these conflicts are resolved towards the end. The study conveys how Rizal expressed his reflections on and critique of the Philippine society through character and institutional symbolisms. Using historical hermeneutics as a method of the study, the researcher will keep an eye on the available sources and collections of literature, thereby putting the novels in their proper contexts, which properly define Rizal as a novelist and a social critic. https://www.philssj.org/index.php/main/article/view/117Rizal, Noli Me Tangere, El Filibusterismo, Portraitist, Novelist, Philippines
spellingShingle Emmanuel Jeric A. Albela
Antonio C. Hila
Rizal, The Social Portraitist
Philippine Social Science Journal
Rizal, Noli Me Tangere, El Filibusterismo, Portraitist, Novelist, Philippines
title Rizal, The Social Portraitist
title_full Rizal, The Social Portraitist
title_fullStr Rizal, The Social Portraitist
title_full_unstemmed Rizal, The Social Portraitist
title_short Rizal, The Social Portraitist
title_sort rizal the social portraitist
topic Rizal, Noli Me Tangere, El Filibusterismo, Portraitist, Novelist, Philippines
url https://www.philssj.org/index.php/main/article/view/117
work_keys_str_mv AT emmanueljericaalbela rizalthesocialportraitist
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