Dialogic Narrative Discourse in Austen's Emma: A Bakhtinian Review

Due to the inherent multiple-voicedness of the genre of novel, novelists, via taking oppositional textual positions, can create twofold narratives which serve to convey two different intentions simultaneously, the direct intention of the character who is speaking and the refracted intention of the a...

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Main Author: Soghra Nodeh
Format: Article
Language:English
Published: Petra Christian University 2013-01-01
Series:K@ta: A Biannual Publication on the Study of Language and Literature
Subjects:
Online Access:http://puslit2.petra.ac.id/ejournal/index.php/ing/article/view/18739
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author Soghra Nodeh
author_facet Soghra Nodeh
author_sort Soghra Nodeh
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description Due to the inherent multiple-voicedness of the genre of novel, novelists, via taking oppositional textual positions, can create twofold narratives which serve to convey two different intentions simultaneously, the direct intention of the character who is speaking and the refracted intention of the author. Such narratives could be created through using the disguise of carnivalesque character whose discourse is intentionally dialogized by means of an ironic discourse which embeds a potential unfolded dialogue of two (opposing) world views. Austen draws on such potential inherent in novelistic discourse by creating carnivalesque characters, layering of masquerades, and multiple mimesis to disguise her real intention. Following Bakhtin's theories of dialogism and carnivalesque, the present research investigates Austen's Emma through tracing carnivalesque character, extremely mocked by the objective narrator in the novel, who serves to disguise the real intention of the author and to create a double-voiced discourse leading the readers towards a double reading of the narrative
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spelling doaj.art-899646b2bef64c00a0bdbd5bb29d8b472022-12-22T02:59:23ZengPetra Christian UniversityK@ta: A Biannual Publication on the Study of Language and Literature1411-26392013-01-0115118Dialogic Narrative Discourse in Austen's Emma: A Bakhtinian ReviewSoghra NodehDue to the inherent multiple-voicedness of the genre of novel, novelists, via taking oppositional textual positions, can create twofold narratives which serve to convey two different intentions simultaneously, the direct intention of the character who is speaking and the refracted intention of the author. Such narratives could be created through using the disguise of carnivalesque character whose discourse is intentionally dialogized by means of an ironic discourse which embeds a potential unfolded dialogue of two (opposing) world views. Austen draws on such potential inherent in novelistic discourse by creating carnivalesque characters, layering of masquerades, and multiple mimesis to disguise her real intention. Following Bakhtin's theories of dialogism and carnivalesque, the present research investigates Austen's Emma through tracing carnivalesque character, extremely mocked by the objective narrator in the novel, who serves to disguise the real intention of the author and to create a double-voiced discourse leading the readers towards a double reading of the narrativehttp://puslit2.petra.ac.id/ejournal/index.php/ing/article/view/18739AustenEmmaBakhtindialogismdouble-voiced discoursecarnivalesque character.
spellingShingle Soghra Nodeh
Dialogic Narrative Discourse in Austen's Emma: A Bakhtinian Review
K@ta: A Biannual Publication on the Study of Language and Literature
Austen
Emma
Bakhtin
dialogism
double-voiced discourse
carnivalesque character.
title Dialogic Narrative Discourse in Austen's Emma: A Bakhtinian Review
title_full Dialogic Narrative Discourse in Austen's Emma: A Bakhtinian Review
title_fullStr Dialogic Narrative Discourse in Austen's Emma: A Bakhtinian Review
title_full_unstemmed Dialogic Narrative Discourse in Austen's Emma: A Bakhtinian Review
title_short Dialogic Narrative Discourse in Austen's Emma: A Bakhtinian Review
title_sort dialogic narrative discourse in austen s emma a bakhtinian review
topic Austen
Emma
Bakhtin
dialogism
double-voiced discourse
carnivalesque character.
url http://puslit2.petra.ac.id/ejournal/index.php/ing/article/view/18739
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