Artifex et ultériorité de la représentation chez Bonaventure
The article intends to investigate the capacity of representation to refer to further meanings in the thought of Bonaventure of Bagnoregio (1217/21-1274), starting from the Dino Formaggio’s conception of the ways of meaning in art: art is communication because it signifies in a plurivocal, plurivale...
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Format: | Article |
Language: | English |
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Milano University Press
2021-08-01
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Series: | Itinera |
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Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/16113 |
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author | Amalia Salvestrini |
author_facet | Amalia Salvestrini |
author_sort | Amalia Salvestrini |
collection | DOAJ |
description | The article intends to investigate the capacity of representation to refer to further meanings in the thought of Bonaventure of Bagnoregio (1217/21-1274), starting from the Dino Formaggio’s conception of the ways of meaning in art: art is communication because it signifies in a plurivocal, plurivalent and uni-situational way. According to Bonaventure, natural and artificial things, as creation of the poietic activity of divine and human artifex, refer to further meanings also by the attitude of the observer that can consider the image as that which refers to a univocal sensible meaning, or as that which refers to an ulteriority, a multiplicity of spiritual senses. The Bonaventure’s idea of the ulteriority of representation arises also in the Franciscan art of the 13th and the 14th century and, with the emergence of the consciousness of the artist during this period, can confirm also from an historical point of view the conception of communication in art proposed by the Italian philosopher Dino Formaggio. |
first_indexed | 2024-03-12T19:51:10Z |
format | Article |
id | doaj.art-89a359ad27ef4d1fa665277e5c03a9f7 |
institution | Directory Open Access Journal |
issn | 2039-9251 |
language | English |
last_indexed | 2024-03-12T19:51:10Z |
publishDate | 2021-08-01 |
publisher | Milano University Press |
record_format | Article |
series | Itinera |
spelling | doaj.art-89a359ad27ef4d1fa665277e5c03a9f72023-08-02T03:11:37ZengMilano University PressItinera2039-92512021-08-0121Artifex et ultériorité de la représentation chez BonaventureAmalia Salvestrini0Università degli Studi di PaviaThe article intends to investigate the capacity of representation to refer to further meanings in the thought of Bonaventure of Bagnoregio (1217/21-1274), starting from the Dino Formaggio’s conception of the ways of meaning in art: art is communication because it signifies in a plurivocal, plurivalent and uni-situational way. According to Bonaventure, natural and artificial things, as creation of the poietic activity of divine and human artifex, refer to further meanings also by the attitude of the observer that can consider the image as that which refers to a univocal sensible meaning, or as that which refers to an ulteriority, a multiplicity of spiritual senses. The Bonaventure’s idea of the ulteriority of representation arises also in the Franciscan art of the 13th and the 14th century and, with the emergence of the consciousness of the artist during this period, can confirm also from an historical point of view the conception of communication in art proposed by the Italian philosopher Dino Formaggio.https://riviste.unimi.it/index.php/itinera/article/view/16113Poiesis, representation, image, Bonaventure, Dino Formaggio |
spellingShingle | Amalia Salvestrini Artifex et ultériorité de la représentation chez Bonaventure Itinera Poiesis, representation, image, Bonaventure, Dino Formaggio |
title | Artifex et ultériorité de la représentation chez Bonaventure |
title_full | Artifex et ultériorité de la représentation chez Bonaventure |
title_fullStr | Artifex et ultériorité de la représentation chez Bonaventure |
title_full_unstemmed | Artifex et ultériorité de la représentation chez Bonaventure |
title_short | Artifex et ultériorité de la représentation chez Bonaventure |
title_sort | artifex et ulteriorite de la representation chez bonaventure |
topic | Poiesis, representation, image, Bonaventure, Dino Formaggio |
url | https://riviste.unimi.it/index.php/itinera/article/view/16113 |
work_keys_str_mv | AT amaliasalvestrini artifexetulterioritedelarepresentationchezbonaventure |