Magic Realism in the Works of Gholamhussein Sâedi

Magic realism is a modern literary style that, it seems, Gholamhussein Sâedi has experienced in Iran before anyone else. In some of his works, including story and drama, the creation of imaginary beings and the transformation of characters have been used more than any other characteristic of magic...

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Main Author: H Masjedi
Format: Article
Language:fas
Published: University of Isfahan 2011-02-01
Series:متن شناسی ادب فارسی
Subjects:
Online Access:http://rpll.ui.ac.ir/article_19239_99d7400b0b005aee22e2a1170fca9308.pdf
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author H Masjedi
author_facet H Masjedi
author_sort H Masjedi
collection DOAJ
description Magic realism is a modern literary style that, it seems, Gholamhussein Sâedi has experienced in Iran before anyone else. In some of his works, including story and drama, the creation of imaginary beings and the transformation of characters have been used more than any other characteristic of magic realism. Some aspects of this style are reflected in his prominent works such as Azadarane Bayal, Moloos Korpus, Ashofteh Halane Bidar Khab and Tars va larz. Among these aspects is the presence of heterogeneous elements, especially exotic creatures combined of man and animal, in his works. In this paper, for the first time, various kinds of these creatures and human transformations are studied in terms of this style. It seems that the writer used this style because of the hard political and social conditions of intellectualism in 30's, 40's and 50's.
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spelling doaj.art-8a318cb9090e4cc0988e6557a639e1612023-08-02T03:44:08ZfasUniversity of Isfahanمتن شناسی ادب فارسی2008-54862476-32682011-02-01249310419239Magic Realism in the Works of Gholamhussein SâediH Masjedi0Payam-e-Noor UniversityMagic realism is a modern literary style that, it seems, Gholamhussein Sâedi has experienced in Iran before anyone else. In some of his works, including story and drama, the creation of imaginary beings and the transformation of characters have been used more than any other characteristic of magic realism. Some aspects of this style are reflected in his prominent works such as Azadarane Bayal, Moloos Korpus, Ashofteh Halane Bidar Khab and Tars va larz. Among these aspects is the presence of heterogeneous elements, especially exotic creatures combined of man and animal, in his works. In this paper, for the first time, various kinds of these creatures and human transformations are studied in terms of this style. It seems that the writer used this style because of the hard political and social conditions of intellectualism in 30's, 40's and 50's.http://rpll.ui.ac.ir/article_19239_99d7400b0b005aee22e2a1170fca9308.pdfSâediMagic Realism StylestorydramaScenarioAnimalTransformation
spellingShingle H Masjedi
Magic Realism in the Works of Gholamhussein Sâedi
متن شناسی ادب فارسی
Sâedi
Magic Realism Style
story
drama
Scenario
Animal
Transformation
title Magic Realism in the Works of Gholamhussein Sâedi
title_full Magic Realism in the Works of Gholamhussein Sâedi
title_fullStr Magic Realism in the Works of Gholamhussein Sâedi
title_full_unstemmed Magic Realism in the Works of Gholamhussein Sâedi
title_short Magic Realism in the Works of Gholamhussein Sâedi
title_sort magic realism in the works of gholamhussein sa¢edi
topic Sâedi
Magic Realism Style
story
drama
Scenario
Animal
Transformation
url http://rpll.ui.ac.ir/article_19239_99d7400b0b005aee22e2a1170fca9308.pdf
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