Stanisława Dróżdża między w kontekście intermediów

The article analyses the ideas of recurrence, infinity and incertitude in Dróżdż’s work in-between, realised for the first time in the Foksal Gallery in Warsaw (1977), in Dick Higgins’ terms of intermedia. Dróżdż, the leading representative of the concrete poetry movement in Poland, has combined ver...

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Main Author: Jakub Kornhauser
Format: Article
Language:English
Published: Associazione Italiana Polonisti 2018-12-01
Series:Pl.it
Subjects:
Online Access:https://plitonline.it/2018/plit-9-2018-163-172-jakub-kornhauser
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author Jakub Kornhauser
author_facet Jakub Kornhauser
author_sort Jakub Kornhauser
collection DOAJ
description The article analyses the ideas of recurrence, infinity and incertitude in Dróżdż’s work in-between, realised for the first time in the Foksal Gallery in Warsaw (1977), in Dick Higgins’ terms of intermedia. Dróżdż, the leading representative of the concrete poetry movement in Poland, has combined verbal (text) with visual (space) elements to create the ‘white cube’ covered with the letters of the word ‘in-between’. Dróżdż introduces the reader/observer into the centre of the text, between the letters. The oxymoronic nature of in-between is revealed and analysed by the author. The work is, at the same time an installation and a text, a sign and a space, literature and visual art. This uncanny character generates the intuition of infinite recurrence of the text and the reader.
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spelling doaj.art-8a42ab53eebe4ecd87b56cadbd6fb0702022-12-21T22:46:50ZengAssociazione Italiana PolonistiPl.it2384-92662384-92662018-12-019163172Stanisława Dróżdża między w kontekście intermediówJakub Kornhauser0Jagiellonian University in KrakowThe article analyses the ideas of recurrence, infinity and incertitude in Dróżdż’s work in-between, realised for the first time in the Foksal Gallery in Warsaw (1977), in Dick Higgins’ terms of intermedia. Dróżdż, the leading representative of the concrete poetry movement in Poland, has combined verbal (text) with visual (space) elements to create the ‘white cube’ covered with the letters of the word ‘in-between’. Dróżdż introduces the reader/observer into the centre of the text, between the letters. The oxymoronic nature of in-between is revealed and analysed by the author. The work is, at the same time an installation and a text, a sign and a space, literature and visual art. This uncanny character generates the intuition of infinite recurrence of the text and the reader.https://plitonline.it/2018/plit-9-2018-163-172-jakub-kornhauserconcrete poetrystanisław dróżdżintermedialityexperimental poetryavant-garde
spellingShingle Jakub Kornhauser
Stanisława Dróżdża między w kontekście intermediów
Pl.it
concrete poetry
stanisław dróżdż
intermediality
experimental poetry
avant-garde
title Stanisława Dróżdża między w kontekście intermediów
title_full Stanisława Dróżdża między w kontekście intermediów
title_fullStr Stanisława Dróżdża między w kontekście intermediów
title_full_unstemmed Stanisława Dróżdża między w kontekście intermediów
title_short Stanisława Dróżdża między w kontekście intermediów
title_sort stanislawa drozdza miedzy w kontekscie intermediow
topic concrete poetry
stanisław dróżdż
intermediality
experimental poetry
avant-garde
url https://plitonline.it/2018/plit-9-2018-163-172-jakub-kornhauser
work_keys_str_mv AT jakubkornhauser stanisławadrozdzamiedzywkontekscieintermediow