Stanisława Dróżdża między w kontekście intermediów
The article analyses the ideas of recurrence, infinity and incertitude in Dróżdż’s work in-between, realised for the first time in the Foksal Gallery in Warsaw (1977), in Dick Higgins’ terms of intermedia. Dróżdż, the leading representative of the concrete poetry movement in Poland, has combined ver...
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Format: | Article |
Language: | English |
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Associazione Italiana Polonisti
2018-12-01
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Series: | Pl.it |
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Online Access: | https://plitonline.it/2018/plit-9-2018-163-172-jakub-kornhauser |
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author | Jakub Kornhauser |
author_facet | Jakub Kornhauser |
author_sort | Jakub Kornhauser |
collection | DOAJ |
description | The article analyses the ideas of recurrence, infinity and incertitude in Dróżdż’s work in-between, realised for the first time in the Foksal Gallery in Warsaw (1977), in Dick Higgins’ terms of intermedia. Dróżdż, the leading representative of the concrete poetry movement in Poland, has combined verbal (text) with visual (space) elements to create the ‘white cube’ covered with the letters of the word ‘in-between’. Dróżdż introduces the reader/observer into the centre of the text, between the letters. The oxymoronic nature of in-between is revealed and analysed by the author. The work is, at the same time an installation and a text, a sign and a space, literature and visual art. This uncanny character generates the intuition of infinite recurrence of the text and the reader. |
first_indexed | 2024-12-14T21:25:35Z |
format | Article |
id | doaj.art-8a42ab53eebe4ecd87b56cadbd6fb070 |
institution | Directory Open Access Journal |
issn | 2384-9266 2384-9266 |
language | English |
last_indexed | 2024-12-14T21:25:35Z |
publishDate | 2018-12-01 |
publisher | Associazione Italiana Polonisti |
record_format | Article |
series | Pl.it |
spelling | doaj.art-8a42ab53eebe4ecd87b56cadbd6fb0702022-12-21T22:46:50ZengAssociazione Italiana PolonistiPl.it2384-92662384-92662018-12-019163172Stanisława Dróżdża między w kontekście intermediówJakub Kornhauser0Jagiellonian University in KrakowThe article analyses the ideas of recurrence, infinity and incertitude in Dróżdż’s work in-between, realised for the first time in the Foksal Gallery in Warsaw (1977), in Dick Higgins’ terms of intermedia. Dróżdż, the leading representative of the concrete poetry movement in Poland, has combined verbal (text) with visual (space) elements to create the ‘white cube’ covered with the letters of the word ‘in-between’. Dróżdż introduces the reader/observer into the centre of the text, between the letters. The oxymoronic nature of in-between is revealed and analysed by the author. The work is, at the same time an installation and a text, a sign and a space, literature and visual art. This uncanny character generates the intuition of infinite recurrence of the text and the reader.https://plitonline.it/2018/plit-9-2018-163-172-jakub-kornhauserconcrete poetrystanisław dróżdżintermedialityexperimental poetryavant-garde |
spellingShingle | Jakub Kornhauser Stanisława Dróżdża między w kontekście intermediów Pl.it concrete poetry stanisław dróżdż intermediality experimental poetry avant-garde |
title | Stanisława Dróżdża między w kontekście intermediów |
title_full | Stanisława Dróżdża między w kontekście intermediów |
title_fullStr | Stanisława Dróżdża między w kontekście intermediów |
title_full_unstemmed | Stanisława Dróżdża między w kontekście intermediów |
title_short | Stanisława Dróżdża między w kontekście intermediów |
title_sort | stanislawa drozdza miedzy w kontekscie intermediow |
topic | concrete poetry stanisław dróżdż intermediality experimental poetry avant-garde |
url | https://plitonline.it/2018/plit-9-2018-163-172-jakub-kornhauser |
work_keys_str_mv | AT jakubkornhauser stanisławadrozdzamiedzywkontekscieintermediow |