<i>Otherness</i> as Basis of Artistic Chronotope: Script vs. Film
The article describes the existential category of the Other and the Otherness in V. Sorokin's screenplay for the film called 4, which was directed by I. Hrzhanovsky in 2004. The Otherness helped V. Sorokin to realize his artistic idea of post-Soviet Russia. According to Jean Paul Sartre, the Ot...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | deu |
| Published: |
Kemerovo State University
2023-09-01
|
| Series: | СибСкрипт |
| Subjects: | |
| Online Access: | https://www.sibscript.ru/jour/article/view/5504 |
| _version_ | 1797671407909339136 |
|---|---|
| author | Anastasia L. Nechaeva |
| author_facet | Anastasia L. Nechaeva |
| author_sort | Anastasia L. Nechaeva |
| collection | DOAJ |
| description | The article describes the existential category of the Other and the Otherness in V. Sorokin's screenplay for the film called 4, which was directed by I. Hrzhanovsky in 2004. The Otherness helped V. Sorokin to realize his artistic idea of post-Soviet Russia. According to Jean Paul Sartre, the Other conveys a feeling of the last days: without a single scene of physical violence, the reader develops a feeling of nausea. The essence of the Other is based on the principles of rejection, fear, and inevitability; the Other is the only verifier of one’s existence. In 4, the frightening atmosphere of the Other World is created by such artistic means as coding, dying, masking, and deconstruction of symmetry. They highlight the artistic intent to portray the chaotic nature of being and the absence of time, where human fate is meaningless, and people are reduced to functions in the game of life. The Otherness of the chronotype gives the script and the film a new code: the loss of the holy number four desacralizes existence, thus condemning the world and people in it to a life of hopeless dismay. |
| first_indexed | 2024-03-11T21:15:04Z |
| format | Article |
| id | doaj.art-8a8d4be5273b466c88323ea1717d9318 |
| institution | Directory Open Access Journal |
| issn | 2949-2122 2949-2092 |
| language | deu |
| last_indexed | 2024-03-11T21:15:04Z |
| publishDate | 2023-09-01 |
| publisher | Kemerovo State University |
| record_format | Article |
| series | СибСкрипт |
| spelling | doaj.art-8a8d4be5273b466c88323ea1717d93182023-09-29T04:58:44ZdeuKemerovo State UniversityСибСкрипт2949-21222949-20922023-09-0125456757610.21603/sibscript-2023-25-4-567-5764629<i>Otherness</i> as Basis of Artistic Chronotope: Script vs. FilmAnastasia L. Nechaeva0Lomonosov Moscow State UniversityThe article describes the existential category of the Other and the Otherness in V. Sorokin's screenplay for the film called 4, which was directed by I. Hrzhanovsky in 2004. The Otherness helped V. Sorokin to realize his artistic idea of post-Soviet Russia. According to Jean Paul Sartre, the Other conveys a feeling of the last days: without a single scene of physical violence, the reader develops a feeling of nausea. The essence of the Other is based on the principles of rejection, fear, and inevitability; the Other is the only verifier of one’s existence. In 4, the frightening atmosphere of the Other World is created by such artistic means as coding, dying, masking, and deconstruction of symmetry. They highlight the artistic intent to portray the chaotic nature of being and the absence of time, where human fate is meaningless, and people are reduced to functions in the game of life. The Otherness of the chronotype gives the script and the film a new code: the loss of the holy number four desacralizes existence, thus condemning the world and people in it to a life of hopeless dismay.https://www.sibscript.ru/jour/article/view/5504the otherdeconstructionsymbolarchetypecodeclonecarnivallaughtersimulacrumgame |
| spellingShingle | Anastasia L. Nechaeva <i>Otherness</i> as Basis of Artistic Chronotope: Script vs. Film СибСкрипт the other deconstruction symbol archetype code clone carnival laughter simulacrum game |
| title | <i>Otherness</i> as Basis of Artistic Chronotope: Script vs. Film |
| title_full | <i>Otherness</i> as Basis of Artistic Chronotope: Script vs. Film |
| title_fullStr | <i>Otherness</i> as Basis of Artistic Chronotope: Script vs. Film |
| title_full_unstemmed | <i>Otherness</i> as Basis of Artistic Chronotope: Script vs. Film |
| title_short | <i>Otherness</i> as Basis of Artistic Chronotope: Script vs. Film |
| title_sort | i otherness i as basis of artistic chronotope script vs film |
| topic | the other deconstruction symbol archetype code clone carnival laughter simulacrum game |
| url | https://www.sibscript.ru/jour/article/view/5504 |
| work_keys_str_mv | AT anastasialnechaeva iothernessiasbasisofartisticchronotopescriptvsfilm |