Sensory integration: the body perception in chan chuang practice
Chan chuang, a psychophysical practice renowned for its beneficial effects, has been favored by martial artists and traditional Chinese medicine practitioners since ancient times. With the onset of the COVID-19 pandemic, chan chuang has garnered increased attention and recognition. However, existin...
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Format: | Article |
Language: | English |
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Universidad de León
2023-09-01
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Series: | Revista de Artes Marciales Asiáticas |
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Online Access: | https://revpubli.unileon.es/ojs/index.php/artesmarciales/article/view/7620 |
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author | Dongchen Li Thomas A. Green Guodong Zhang |
author_facet | Dongchen Li Thomas A. Green Guodong Zhang |
author_sort | Dongchen Li |
collection | DOAJ |
description |
Chan chuang, a psychophysical practice renowned for its beneficial effects, has been favored by martial artists and traditional Chinese medicine practitioners since ancient times. With the onset of the COVID-19 pandemic, chan chuang has garnered increased attention and recognition. However, existing research primarily focuses on the efficacy of chan chuang, rather than exploring the practice itself. Consequently, there is a dearth of scientific and experiential guidance available to current practitioners of chan chuang. To address this gap, the present study employs an in-depth interview method within a qualitative research framework, conducting follow-up interviews with eight martial artists who regularly engage in chan chuang practice. By gaining insights into the physical and mental states of these practitioners, this paper aims to elucidate their embodied experiences of chan chuang from the perspective of “body perception”. The findings reveal that the practitioners’ perception of their bodies during chan chuang practice can be characterized by three key aspects: stillness, naturalness, and qi. The sense of stillness signifies a state of tranquility in both body and mind. The sense of naturalness represents a harmonious equilibrium of body and mind, at times even resulting in a loss of self-awareness. Finally, the sense of qi conveys a serene mental state accompanied by the smooth flow of life energy and blood. These three dimensions guide chan chuang practitioners toward attaining physical and mental well-being.
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first_indexed | 2024-03-11T14:22:26Z |
format | Article |
id | doaj.art-8a9e16e2ca564963b10e8f383833f40a |
institution | Directory Open Access Journal |
issn | 2174-0747 |
language | English |
last_indexed | 2024-03-11T14:22:26Z |
publishDate | 2023-09-01 |
publisher | Universidad de León |
record_format | Article |
series | Revista de Artes Marciales Asiáticas |
spelling | doaj.art-8a9e16e2ca564963b10e8f383833f40a2023-10-31T15:40:40ZengUniversidad de LeónRevista de Artes Marciales Asiáticas2174-07472023-09-0118210.18002/rama.v18i2.6206Sensory integration: the body perception in chan chuang practiceDongchen Li0Thomas A. Green1Guodong Zhang2Institute of Sport Science, College of Physical Education, Southwest UniversityDepartment of Anthropology, Texas A&M UniversityInstitute of Sport Science, College of Physical Education, Southwest University Chan chuang, a psychophysical practice renowned for its beneficial effects, has been favored by martial artists and traditional Chinese medicine practitioners since ancient times. With the onset of the COVID-19 pandemic, chan chuang has garnered increased attention and recognition. However, existing research primarily focuses on the efficacy of chan chuang, rather than exploring the practice itself. Consequently, there is a dearth of scientific and experiential guidance available to current practitioners of chan chuang. To address this gap, the present study employs an in-depth interview method within a qualitative research framework, conducting follow-up interviews with eight martial artists who regularly engage in chan chuang practice. By gaining insights into the physical and mental states of these practitioners, this paper aims to elucidate their embodied experiences of chan chuang from the perspective of “body perception”. The findings reveal that the practitioners’ perception of their bodies during chan chuang practice can be characterized by three key aspects: stillness, naturalness, and qi. The sense of stillness signifies a state of tranquility in both body and mind. The sense of naturalness represents a harmonious equilibrium of body and mind, at times even resulting in a loss of self-awareness. Finally, the sense of qi conveys a serene mental state accompanied by the smooth flow of life energy and blood. These three dimensions guide chan chuang practitioners toward attaining physical and mental well-being. https://revpubli.unileon.es/ojs/index.php/artesmarciales/article/view/7620Martial artschan chuangbody perceptionbody-mind integrationstillnessnaturalness |
spellingShingle | Dongchen Li Thomas A. Green Guodong Zhang Sensory integration: the body perception in chan chuang practice Revista de Artes Marciales Asiáticas Martial arts chan chuang body perception body-mind integration stillness naturalness |
title | Sensory integration: the body perception in chan chuang practice |
title_full | Sensory integration: the body perception in chan chuang practice |
title_fullStr | Sensory integration: the body perception in chan chuang practice |
title_full_unstemmed | Sensory integration: the body perception in chan chuang practice |
title_short | Sensory integration: the body perception in chan chuang practice |
title_sort | sensory integration the body perception in chan chuang practice |
topic | Martial arts chan chuang body perception body-mind integration stillness naturalness |
url | https://revpubli.unileon.es/ojs/index.php/artesmarciales/article/view/7620 |
work_keys_str_mv | AT dongchenli sensoryintegrationthebodyperceptioninchanchuangpractice AT thomasagreen sensoryintegrationthebodyperceptioninchanchuangpractice AT guodongzhang sensoryintegrationthebodyperceptioninchanchuangpractice |