Wide-Screen Television and Home Movies
In this article, Tom Steward uses past interrelations of television and cinema spectatorship, exhibition, production and aesthetics to historicize phenomenological digital-era discourses on, ontological definitions of, and cultural arguments about television and cinema convergence. He argues that te...
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| Format: | Article |
| Language: | English |
| Published: |
Netherlands Institute for Sound and Vision
2014-12-01
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| Series: | VIEW Journal of European Television History and Culture |
| Online Access: | https://www.viewjournal.eu/article/10.18146/2213-0969.2014.jethc070/ |
| _version_ | 1811286009506168832 |
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| author | Steward, Tom James Longley |
| author_facet | Steward, Tom James Longley |
| author_sort | Steward, Tom James Longley |
| collection | DOAJ |
| description | In this article, Tom Steward uses past interrelations of television and cinema spectatorship, exhibition, production and aesthetics to historicize phenomenological digital-era discourses on, ontological definitions of, and cultural arguments about television and cinema convergence. He argues that television and cinema assisted in defining each other as late 20th Century media and cultural forms, have a multi-directional industrial and artistic flow, and are often interdependent in reception and distribution. Television and cinema convergence demonstrates the need for historical breadth in media convergence theory and an understanding of medium-specificity that incorporates interactions with other media. |
| first_indexed | 2024-04-13T02:52:25Z |
| format | Article |
| id | doaj.art-8b277c417eb844a4bc1af9b3f2fed46c |
| institution | Directory Open Access Journal |
| issn | 2213-0969 |
| language | English |
| last_indexed | 2024-04-13T02:52:25Z |
| publishDate | 2014-12-01 |
| publisher | Netherlands Institute for Sound and Vision |
| record_format | Article |
| series | VIEW Journal of European Television History and Culture |
| spelling | doaj.art-8b277c417eb844a4bc1af9b3f2fed46c2022-12-22T03:05:48ZengNetherlands Institute for Sound and VisionVIEW Journal of European Television History and Culture2213-09692014-12-01365810.18146/2213-0969.2014.jethc070Wide-Screen Television and Home MoviesSteward, Tom James LongleyIn this article, Tom Steward uses past interrelations of television and cinema spectatorship, exhibition, production and aesthetics to historicize phenomenological digital-era discourses on, ontological definitions of, and cultural arguments about television and cinema convergence. He argues that television and cinema assisted in defining each other as late 20th Century media and cultural forms, have a multi-directional industrial and artistic flow, and are often interdependent in reception and distribution. Television and cinema convergence demonstrates the need for historical breadth in media convergence theory and an understanding of medium-specificity that incorporates interactions with other media.https://www.viewjournal.eu/article/10.18146/2213-0969.2014.jethc070/ |
| spellingShingle | Steward, Tom James Longley Wide-Screen Television and Home Movies VIEW Journal of European Television History and Culture |
| title | Wide-Screen Television and Home Movies |
| title_full | Wide-Screen Television and Home Movies |
| title_fullStr | Wide-Screen Television and Home Movies |
| title_full_unstemmed | Wide-Screen Television and Home Movies |
| title_short | Wide-Screen Television and Home Movies |
| title_sort | wide screen television and home movies |
| url | https://www.viewjournal.eu/article/10.18146/2213-0969.2014.jethc070/ |
| work_keys_str_mv | AT stewardtomjameslongley widescreentelevisionandhomemovies |