Northern Ireland’s Interregnum. Anna Burns’s Depiction of a (Post)-Troubles State of (In)security

This paper aims to present the main contours of Burns’s literary output which, interestingly enough, grows into a personal understanding of the collective mindset of (post)-Troubles Northern Ireland. It is legitimate, I argue, to construe her fiction (No Bones, 2001; Little Constructions, 2007; Milk...

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Main Author: Ryszard Bartnik
Format: Article
Language:English
Published: Lodz University Press 2021-11-01
Series:Text Matters
Subjects:
Online Access:https://czasopisma.uni.lodz.pl/textmatters/article/view/11256
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author Ryszard Bartnik
author_facet Ryszard Bartnik
author_sort Ryszard Bartnik
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description This paper aims to present the main contours of Burns’s literary output which, interestingly enough, grows into a personal understanding of the collective mindset of (post)-Troubles Northern Ireland. It is legitimate, I argue, to construe her fiction (No Bones, 2001; Little Constructions, 2007; Milkman, 2018) as a body of work shedding light on certain underlying mechanisms of (post-)sectarian violence. Notwithstanding the lapse of time between 1998 and 2020, the Troubles’ toxic legacy has indeed woven an unbroken thread in the social fabric of the region. My reading of the novelist’s selected works intends to show how the local public have been fed by (or have fed themselves upon) an unjustified—maybe even false—sense of security. Burns, in that regard, has positioned herself amongst the aggregate of writers who feel anxious rather than placated, hence their persistence in returning to the roots of Northern Irish societal divisions. Burns’s writing, in the above context, though immersed in the world of the Troubles, paradoxically communicates “an idiosyncratic spatiotemporality” (Maureen Ruprecht Fadem’s phrase), namely an experience beyond the self-imposing, historical time limits. As such, it gains the ability to provide insightful commentaries on conflict-prone relations, the patterns of which can be repeatedly observed in Northern Ireland’s socio-political milieu. Overall, the main idea here is to discuss and present the narrative realm proposed by Burns as (in)determinate, liminal in terms of time and space, positioning readers between “then” and “now” of the region.
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spelling doaj.art-8b2815b0167a4785afc4dfd8b166711a2022-12-21T19:25:37ZengLodz University PressText Matters2083-29312084-574X2021-11-0111648310.18778/2083-2931.11.0511156Northern Ireland’s Interregnum. Anna Burns’s Depiction of a (Post)-Troubles State of (In)securityRyszard Bartnik0https://orcid.org/0000-0002-3675-0650Adam Mickiewicz University, PoznańThis paper aims to present the main contours of Burns’s literary output which, interestingly enough, grows into a personal understanding of the collective mindset of (post)-Troubles Northern Ireland. It is legitimate, I argue, to construe her fiction (No Bones, 2001; Little Constructions, 2007; Milkman, 2018) as a body of work shedding light on certain underlying mechanisms of (post-)sectarian violence. Notwithstanding the lapse of time between 1998 and 2020, the Troubles’ toxic legacy has indeed woven an unbroken thread in the social fabric of the region. My reading of the novelist’s selected works intends to show how the local public have been fed by (or have fed themselves upon) an unjustified—maybe even false—sense of security. Burns, in that regard, has positioned herself amongst the aggregate of writers who feel anxious rather than placated, hence their persistence in returning to the roots of Northern Irish societal divisions. Burns’s writing, in the above context, though immersed in the world of the Troubles, paradoxically communicates “an idiosyncratic spatiotemporality” (Maureen Ruprecht Fadem’s phrase), namely an experience beyond the self-imposing, historical time limits. As such, it gains the ability to provide insightful commentaries on conflict-prone relations, the patterns of which can be repeatedly observed in Northern Ireland’s socio-political milieu. Overall, the main idea here is to discuss and present the narrative realm proposed by Burns as (in)determinate, liminal in terms of time and space, positioning readers between “then” and “now” of the region.https://czasopisma.uni.lodz.pl/textmatters/article/view/11256divided societyanna burns(post-)troubles northern irelandsociety-politics-fictiona sense of (in)stability/(in)security in contemporary northern ireland
spellingShingle Ryszard Bartnik
Northern Ireland’s Interregnum. Anna Burns’s Depiction of a (Post)-Troubles State of (In)security
Text Matters
divided society
anna burns
(post-)troubles northern ireland
society-politics-fiction
a sense of (in)stability/(in)security in contemporary northern ireland
title Northern Ireland’s Interregnum. Anna Burns’s Depiction of a (Post)-Troubles State of (In)security
title_full Northern Ireland’s Interregnum. Anna Burns’s Depiction of a (Post)-Troubles State of (In)security
title_fullStr Northern Ireland’s Interregnum. Anna Burns’s Depiction of a (Post)-Troubles State of (In)security
title_full_unstemmed Northern Ireland’s Interregnum. Anna Burns’s Depiction of a (Post)-Troubles State of (In)security
title_short Northern Ireland’s Interregnum. Anna Burns’s Depiction of a (Post)-Troubles State of (In)security
title_sort northern ireland s interregnum anna burns s depiction of a post troubles state of in security
topic divided society
anna burns
(post-)troubles northern ireland
society-politics-fiction
a sense of (in)stability/(in)security in contemporary northern ireland
url https://czasopisma.uni.lodz.pl/textmatters/article/view/11256
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