« What’s Black and White and Read All Over? » Esquisse d’un je(u) étrange : Half Life (2006) de Shelley Jackson

Shelley Jackson’s first novel, Half Life, leaves Nora in command of the text, making her tell her story and conquer a self she was deprived of at her birth. But how to do so when “her” story is always-already “theirs,” split in half, and when saying I is therefore impossible? For Nora is not alone,...

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Bibliographic Details
Main Author: Stéphane Vanderhaeghe
Format: Article
Language:English
Published: Presses universitaires de Rennes 2009-02-01
Series:Revue LISA
Subjects:
Online Access:https://journals.openedition.org/lisa/353
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author Stéphane Vanderhaeghe
author_facet Stéphane Vanderhaeghe
author_sort Stéphane Vanderhaeghe
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description Shelley Jackson’s first novel, Half Life, leaves Nora in command of the text, making her tell her story and conquer a self she was deprived of at her birth. But how to do so when “her” story is always-already “theirs,” split in half, and when saying I is therefore impossible? For Nora is not alone, Nora is inseparable—and literally so—from Blanche, her “twofer” sister. Through an interplay of binary oppositions, Jackson fashions the (twin) metaphor of writing and reading, inciting her reader to intervene in the text and dig deeper into it to (un)cover meaning under the successive layers of whiteness that reveal the blankness of a page that is slowly being erased as one reads / runs over it.
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spelling doaj.art-8b3017a3cdc04e6791516a5f77efc0452024-02-13T14:36:15ZengPresses universitaires de RennesRevue LISA1762-61532009-02-01715816810.4000/lisa.353« What’s Black and White and Read All Over? » Esquisse d’un je(u) étrange : Half Life (2006) de Shelley JacksonStéphane VanderhaegheShelley Jackson’s first novel, Half Life, leaves Nora in command of the text, making her tell her story and conquer a self she was deprived of at her birth. But how to do so when “her” story is always-already “theirs,” split in half, and when saying I is therefore impossible? For Nora is not alone, Nora is inseparable—and literally so—from Blanche, her “twofer” sister. Through an interplay of binary oppositions, Jackson fashions the (twin) metaphor of writing and reading, inciting her reader to intervene in the text and dig deeper into it to (un)cover meaning under the successive layers of whiteness that reveal the blankness of a page that is slowly being erased as one reads / runs over it.https://journals.openedition.org/lisa/353americannessothernessmulticulturalismtranslationdeterritorialized self / languageidentity
spellingShingle Stéphane Vanderhaeghe
« What’s Black and White and Read All Over? » Esquisse d’un je(u) étrange : Half Life (2006) de Shelley Jackson
Revue LISA
americanness
otherness
multiculturalism
translation
deterritorialized self / language
identity
title « What’s Black and White and Read All Over? » Esquisse d’un je(u) étrange : Half Life (2006) de Shelley Jackson
title_full « What’s Black and White and Read All Over? » Esquisse d’un je(u) étrange : Half Life (2006) de Shelley Jackson
title_fullStr « What’s Black and White and Read All Over? » Esquisse d’un je(u) étrange : Half Life (2006) de Shelley Jackson
title_full_unstemmed « What’s Black and White and Read All Over? » Esquisse d’un je(u) étrange : Half Life (2006) de Shelley Jackson
title_short « What’s Black and White and Read All Over? » Esquisse d’un je(u) étrange : Half Life (2006) de Shelley Jackson
title_sort what s black and white and read all over esquisse d un je u etrange half life 2006 de shelley jackson
topic americanness
otherness
multiculturalism
translation
deterritorialized self / language
identity
url https://journals.openedition.org/lisa/353
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