Manuel Tamayo y Baus’s Un Drama Nuevo (1867) and the Reception of Hamlet in 19th-Century Spain

The present article discusses how Tamayo y Baus appropriates and refashions in Un drama nuevo (1867) the figures of Shakespeare and Yorick, as well as different elements of a number of tragedies by Shakespeare (Hamlet, Romeo and Juliet, Othello), in order to render homage to Shakespearean drama by m...

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Main Author: Rocío G. Sumillera
Format: Article
Language:English
Published: University of Ljubljana Press (Založba Univerze v Ljubljani) 2013-05-01
Series:ELOPE
Subjects:
Online Access:https://journals.uni-lj.si/elope/article/view/3195
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author Rocío G. Sumillera
author_facet Rocío G. Sumillera
author_sort Rocío G. Sumillera
collection DOAJ
description The present article discusses how Tamayo y Baus appropriates and refashions in Un drama nuevo (1867) the figures of Shakespeare and Yorick, as well as different elements of a number of tragedies by Shakespeare (Hamlet, Romeo and Juliet, Othello), in order to render homage to Shakespearean drama by means of a play that, even if set at the beginning of 17th-century England, particularly addresses the tastes and concerns of 19th-century Spanish audiences. Additionally, this article considers the extent to which the contemporary audience of Tamayo y Baus was acquainted with Shakespeare and Hamlet, taking into account both the translations into Spanish of the play and its performances in Spain up until 1867. The purpose of such an analysis is to speculate on the reception and interpretation of Un drama nuevo at the time of its release, and on the role it had in raising or renewing interest in Hamlet within the Spanish-speaking world.
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spelling doaj.art-8b3b5f7efdc3406ea062f8e9ae1d0ef02023-01-18T09:33:08ZengUniversity of Ljubljana Press (Založba Univerze v Ljubljani)ELOPE1581-89182386-03162013-05-0110110.4312/elope.10.1.71-80Manuel Tamayo y Baus’s Un Drama Nuevo (1867) and the Reception of Hamlet in 19th-Century SpainRocío G. Sumillera0University of GranadaThe present article discusses how Tamayo y Baus appropriates and refashions in Un drama nuevo (1867) the figures of Shakespeare and Yorick, as well as different elements of a number of tragedies by Shakespeare (Hamlet, Romeo and Juliet, Othello), in order to render homage to Shakespearean drama by means of a play that, even if set at the beginning of 17th-century England, particularly addresses the tastes and concerns of 19th-century Spanish audiences. Additionally, this article considers the extent to which the contemporary audience of Tamayo y Baus was acquainted with Shakespeare and Hamlet, taking into account both the translations into Spanish of the play and its performances in Spain up until 1867. The purpose of such an analysis is to speculate on the reception and interpretation of Un drama nuevo at the time of its release, and on the role it had in raising or renewing interest in Hamlet within the Spanish-speaking world.https://journals.uni-lj.si/elope/article/view/3195Shakespearereception of HamletManuel Tamayo y BausUn drama nuevo19th-century drama
spellingShingle Rocío G. Sumillera
Manuel Tamayo y Baus’s Un Drama Nuevo (1867) and the Reception of Hamlet in 19th-Century Spain
ELOPE
Shakespeare
reception of Hamlet
Manuel Tamayo y Baus
Un drama nuevo
19th-century drama
title Manuel Tamayo y Baus’s Un Drama Nuevo (1867) and the Reception of Hamlet in 19th-Century Spain
title_full Manuel Tamayo y Baus’s Un Drama Nuevo (1867) and the Reception of Hamlet in 19th-Century Spain
title_fullStr Manuel Tamayo y Baus’s Un Drama Nuevo (1867) and the Reception of Hamlet in 19th-Century Spain
title_full_unstemmed Manuel Tamayo y Baus’s Un Drama Nuevo (1867) and the Reception of Hamlet in 19th-Century Spain
title_short Manuel Tamayo y Baus’s Un Drama Nuevo (1867) and the Reception of Hamlet in 19th-Century Spain
title_sort manuel tamayo y baus s un drama nuevo 1867 and the reception of hamlet in 19th century spain
topic Shakespeare
reception of Hamlet
Manuel Tamayo y Baus
Un drama nuevo
19th-century drama
url https://journals.uni-lj.si/elope/article/view/3195
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