Paul Auster’s 4 3 2 1. Past Paradigms
There is something strange about a cast of characters that comes in tetrads centering on duplicate yet different protagonists with identical names, and critics who argue that Auster’s mastodon novel, 4 3 2 1, marks a return to realism fail to take into account the inflated tone of the fabular woven...
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| Format: | Article |
| Language: | English |
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Presses universitaires de Rennes
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| Series: | Revue LISA |
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| Online Access: | https://journals.openedition.org/lisa/11459 |