Feeling uncomfortable in the nineteenth century’

The historical excision of the nineteenth century from the master-narrative of Islamic art history has had a number of far-reaching consequences. This essay takes an overview of the current status of nineteenth-century materials in the overarching story of Islamic art, analyzing the aspects of the c...

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Main Author: Margaret S. Graves
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2012-06-01
Series:Journal of Art Historiography
Subjects:
Online Access:http://arthistoriography.files.wordpress.com/2012/05/graves.pdf
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author Margaret S. Graves
author_facet Margaret S. Graves
author_sort Margaret S. Graves
collection DOAJ
description The historical excision of the nineteenth century from the master-narrative of Islamic art history has had a number of far-reaching consequences. This essay takes an overview of the current status of nineteenth-century materials in the overarching story of Islamic art, analyzing the aspects of the century’s artistic production that have started to be tentatively admitted to the canon in recent years, and attempting to find some answers to the obvious question: what is so wrong with the nineteenth century? In the second part of the study taxonomic and ethnographic concerns, encoded into the discipline during its formation in the nineteenth century, are explored to expose the intellectual underpinnings, and inadvertent consequences, of the medievalization of Islamic art.
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spelling doaj.art-8b4baf9b006949629dd37230dbc293df2022-12-22T03:47:09ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522012-06-0166MSG/1Feeling uncomfortable in the nineteenth century’Margaret S. GravesThe historical excision of the nineteenth century from the master-narrative of Islamic art history has had a number of far-reaching consequences. This essay takes an overview of the current status of nineteenth-century materials in the overarching story of Islamic art, analyzing the aspects of the century’s artistic production that have started to be tentatively admitted to the canon in recent years, and attempting to find some answers to the obvious question: what is so wrong with the nineteenth century? In the second part of the study taxonomic and ethnographic concerns, encoded into the discipline during its formation in the nineteenth century, are explored to expose the intellectual underpinnings, and inadvertent consequences, of the medievalization of Islamic art.http://arthistoriography.files.wordpress.com/2012/05/graves.pdfnineteenth centurymedievalizationrevival stylesOccidentalizing artQajar paintingJohannes Fabianmaster-narrative of Islamic artethnographypost-Enlightenment taxonomy
spellingShingle Margaret S. Graves
Feeling uncomfortable in the nineteenth century’
Journal of Art Historiography
nineteenth century
medievalization
revival styles
Occidentalizing art
Qajar painting
Johannes Fabian
master-narrative of Islamic art
ethnography
post-Enlightenment taxonomy
title Feeling uncomfortable in the nineteenth century’
title_full Feeling uncomfortable in the nineteenth century’
title_fullStr Feeling uncomfortable in the nineteenth century’
title_full_unstemmed Feeling uncomfortable in the nineteenth century’
title_short Feeling uncomfortable in the nineteenth century’
title_sort feeling uncomfortable in the nineteenth century
topic nineteenth century
medievalization
revival styles
Occidentalizing art
Qajar painting
Johannes Fabian
master-narrative of Islamic art
ethnography
post-Enlightenment taxonomy
url http://arthistoriography.files.wordpress.com/2012/05/graves.pdf
work_keys_str_mv AT margaretsgraves feelinguncomfortableinthenineteenthcentury