Voice quality in affect cueing: does loudness matter?

In emotional speech research, it has been suggested that loudness, along with other prosodic features, may be an important cue in communicating high activation affects. In earlier studies, we found different voice quality stimuli to be consistently associated with certain affective states. In these...

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Main Authors: Irena eYanushevskaya, Christer eGobl, Ailbhe eNí Chasaide
Format: Article
Language:English
Published: Frontiers Media S.A. 2013-06-01
Series:Frontiers in Psychology
Subjects:
Online Access:http://journal.frontiersin.org/Journal/10.3389/fpsyg.2013.00335/full
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author Irena eYanushevskaya
Christer eGobl
Ailbhe eNí Chasaide
author_facet Irena eYanushevskaya
Christer eGobl
Ailbhe eNí Chasaide
author_sort Irena eYanushevskaya
collection DOAJ
description In emotional speech research, it has been suggested that loudness, along with other prosodic features, may be an important cue in communicating high activation affects. In earlier studies, we found different voice quality stimuli to be consistently associated with certain affective states. In these stimuli, as in typical human productions, the different voice qualities entailed differences in loudness. To examine the extent to which the loudness differences among these voice qualities might influence the affective colouring they impart, two experiments were conducted with the synthesised stimuli, in which loudness was systematically manipulated. Experiment 1 used stimuli with distinct voice quality features including intrinsic loudness variations and stimuli where voice quality (modal voice) was kept constant, but loudness was modified to match the non-modal qualities. If loudness is the principal determinant in affect cueing for different voice qualities, there should be little or no difference in the responses to the two sets of stimuli. In Experiment 2, the stimuli included distinct voice quality features but all had equal loudness to test the hypothesis that equalising the perceived loudness of different voice quality stimuli will have relatively little impact on affective ratings. The results suggest that loudness variation on its own is relatively ineffective whereas variation in voice quality is essential to the expression of affect. In Experiment 1, stimuli incorporating distinct voice quality features consistently obtained higher ratings than the modal voice stimuli with varied loudness. In Experiment 2, non-modal voice quality stimuli proved potent in affect cueing even with loudness differences equalised. Although loudness per se does not seem to be the major determinant of perceived affect, it can contribute positively to affect cueing: when combined with tense-modal voice qualities, increased loudness can enhance signalling of high activation states.
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spelling doaj.art-8b67c3d9746747a286b9328223a235992022-12-22T00:31:05ZengFrontiers Media S.A.Frontiers in Psychology1664-10782013-06-01410.3389/fpsyg.2013.0033552044Voice quality in affect cueing: does loudness matter?Irena eYanushevskaya0Christer eGobl1Ailbhe eNí Chasaide2Trinity College DublinTrinity College DublinTrinity College DublinIn emotional speech research, it has been suggested that loudness, along with other prosodic features, may be an important cue in communicating high activation affects. In earlier studies, we found different voice quality stimuli to be consistently associated with certain affective states. In these stimuli, as in typical human productions, the different voice qualities entailed differences in loudness. To examine the extent to which the loudness differences among these voice qualities might influence the affective colouring they impart, two experiments were conducted with the synthesised stimuli, in which loudness was systematically manipulated. Experiment 1 used stimuli with distinct voice quality features including intrinsic loudness variations and stimuli where voice quality (modal voice) was kept constant, but loudness was modified to match the non-modal qualities. If loudness is the principal determinant in affect cueing for different voice qualities, there should be little or no difference in the responses to the two sets of stimuli. In Experiment 2, the stimuli included distinct voice quality features but all had equal loudness to test the hypothesis that equalising the perceived loudness of different voice quality stimuli will have relatively little impact on affective ratings. The results suggest that loudness variation on its own is relatively ineffective whereas variation in voice quality is essential to the expression of affect. In Experiment 1, stimuli incorporating distinct voice quality features consistently obtained higher ratings than the modal voice stimuli with varied loudness. In Experiment 2, non-modal voice quality stimuli proved potent in affect cueing even with loudness differences equalised. Although loudness per se does not seem to be the major determinant of perceived affect, it can contribute positively to affect cueing: when combined with tense-modal voice qualities, increased loudness can enhance signalling of high activation states.http://journal.frontiersin.org/Journal/10.3389/fpsyg.2013.00335/fullAffectPerceptionVoice QualityemotionloudnessIntensity
spellingShingle Irena eYanushevskaya
Christer eGobl
Ailbhe eNí Chasaide
Voice quality in affect cueing: does loudness matter?
Frontiers in Psychology
Affect
Perception
Voice Quality
emotion
loudness
Intensity
title Voice quality in affect cueing: does loudness matter?
title_full Voice quality in affect cueing: does loudness matter?
title_fullStr Voice quality in affect cueing: does loudness matter?
title_full_unstemmed Voice quality in affect cueing: does loudness matter?
title_short Voice quality in affect cueing: does loudness matter?
title_sort voice quality in affect cueing does loudness matter
topic Affect
Perception
Voice Quality
emotion
loudness
Intensity
url http://journal.frontiersin.org/Journal/10.3389/fpsyg.2013.00335/full
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