armelo Bene, a Stuttering War Machine
This article presents one of the topics raised by the research in progress on the work of the Italian artist Carmelo Bene. The author resumes a relation already made at the beginning of the research between the Benean actorial machine and the Deleuzean-Guattarian war machine, adding elements from an...
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| Format: | Article |
| Language: | English |
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Universidade Federal do Rio Grande do Sul
2018-03-01
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| Series: | Revista Brasileira de Estudos da Presença |
| Subjects: |
| _version_ | 1818874697728655360 |
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| author | Silvia Balestreri |
| author_facet | Silvia Balestreri |
| author_sort | Silvia Balestreri |
| collection | DOAJ |
| description | This article presents one of the topics raised by the research in progress on the work of the Italian artist Carmelo Bene. The author resumes a relation already made at the beginning of the research between the Benean actorial machine and the Deleuzean-Guattarian war machine, adding elements from an approach of stuttering in Gilles Deleuze, as well as from materials and experiences collected in the field research developed in Italy and France along the last three years. The initial goal of the research was to study the concepts that Carmelo Bene created in scene, seeking a closeness to what was original in his work. From the observation of the multiplicity of Bene’s theoretical and artistic alliances, it became necessary to interrogate and contaminate the research and writing modes themselves, establishing a production by means of fragments and closeness, being this text one of them. |
| first_indexed | 2024-12-19T13:14:43Z |
| format | Article |
| id | doaj.art-8bcfc44dede344b8a6ce07307964f905 |
| institution | Directory Open Access Journal |
| issn | 2237-2660 |
| language | English |
| last_indexed | 2024-12-19T13:14:43Z |
| publishDate | 2018-03-01 |
| publisher | Universidade Federal do Rio Grande do Sul |
| record_format | Article |
| series | Revista Brasileira de Estudos da Presença |
| spelling | doaj.art-8bcfc44dede344b8a6ce07307964f9052022-12-21T20:19:51ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602018-03-010801829810.1590/2237-266072337armelo Bene, a Stuttering War MachineSilvia Balestreri0Universidade Federal do Rio Grande do Sul - UFRGS, Porto Alegre/RS, BrazilThis article presents one of the topics raised by the research in progress on the work of the Italian artist Carmelo Bene. The author resumes a relation already made at the beginning of the research between the Benean actorial machine and the Deleuzean-Guattarian war machine, adding elements from an approach of stuttering in Gilles Deleuze, as well as from materials and experiences collected in the field research developed in Italy and France along the last three years. The initial goal of the research was to study the concepts that Carmelo Bene created in scene, seeking a closeness to what was original in his work. From the observation of the multiplicity of Bene’s theoretical and artistic alliances, it became necessary to interrogate and contaminate the research and writing modes themselves, establishing a production by means of fragments and closeness, being this text one of them.Carmelo BeneActorial MachineWar MachineStuttering MachineDeleuze-Guattari |
| spellingShingle | Silvia Balestreri armelo Bene, a Stuttering War Machine Revista Brasileira de Estudos da Presença Carmelo Bene Actorial Machine War Machine Stuttering Machine Deleuze-Guattari |
| title | armelo Bene, a Stuttering War Machine |
| title_full | armelo Bene, a Stuttering War Machine |
| title_fullStr | armelo Bene, a Stuttering War Machine |
| title_full_unstemmed | armelo Bene, a Stuttering War Machine |
| title_short | armelo Bene, a Stuttering War Machine |
| title_sort | armelo bene a stuttering war machine |
| topic | Carmelo Bene Actorial Machine War Machine Stuttering Machine Deleuze-Guattari |
| work_keys_str_mv | AT silviabalestreri armelobeneastutteringwarmachine |