Anxiety narrative and the construction of distance in the film Claire Denis “Both Sides of the Blade”

The article is devoted to the film by Claire Denis “ Both Sides of the Blade “ (Avec amour et acharnement), the author analyzes the techniques by which the narrative is built and distance is constructed. Using the tools of structural and post-structural analysis (R. Barth, G. Deleuze), the concept...

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Main Author: Pateeva, E. V
Format: Article
Language:Russian
Published: Телекинет 2022-12-01
Series:Телекинет
Subjects:
Online Access:https://telecinet.com/wp-content/uploads/2023/03/telekinet.2022.3-20-p.45-48.pdf
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author Pateeva, E. V
author_facet Pateeva, E. V
author_sort Pateeva, E. V
collection DOAJ
description The article is devoted to the film by Claire Denis “ Both Sides of the Blade “ (Avec amour et acharnement), the author analyzes the techniques by which the narrative is built and distance is constructed. Using the tools of structural and post-structural analysis (R. Barth, G. Deleuze), the concept of physicality, the author identifies the functions of close-up, speech, which form the space of the intimate. The elements of genres that build intrigue in the film are analyzed. Intimate acts not so much as a form of communication, but as a way of leveling the distance. The author analyzes the nature of the camera, its role in building the narrative and comes to the conclusion that the structure of the film, by colliding speech and action, reveals their inconsistency and builds a kind of intrigue between the author and the viewer.
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spelling doaj.art-8c19de4b162045a19ad33ff89ab450a92023-05-31T23:46:00ZrusТелекинетТелекинет2618-93132022-12-013(20)4548Anxiety narrative and the construction of distance in the film Claire Denis “Both Sides of the Blade”Pateeva, E. V0https://orcid.org/0000-0002-1250-4463Russian State University for the Humanities, 6, Miusskaya Square, 125047, Moscow, RussiaThe article is devoted to the film by Claire Denis “ Both Sides of the Blade “ (Avec amour et acharnement), the author analyzes the techniques by which the narrative is built and distance is constructed. Using the tools of structural and post-structural analysis (R. Barth, G. Deleuze), the concept of physicality, the author identifies the functions of close-up, speech, which form the space of the intimate. The elements of genres that build intrigue in the film are analyzed. Intimate acts not so much as a form of communication, but as a way of leveling the distance. The author analyzes the nature of the camera, its role in building the narrative and comes to the conclusion that the structure of the film, by colliding speech and action, reveals their inconsistency and builds a kind of intrigue between the author and the viewer.https://telecinet.com/wp-content/uploads/2023/03/telekinet.2022.3-20-p.45-48.pdfnarrative in cinemaclaire denisfeminist prosejuliette binoche
spellingShingle Pateeva, E. V
Anxiety narrative and the construction of distance in the film Claire Denis “Both Sides of the Blade”
Телекинет
narrative in cinema
claire denis
feminist prose
juliette binoche
title Anxiety narrative and the construction of distance in the film Claire Denis “Both Sides of the Blade”
title_full Anxiety narrative and the construction of distance in the film Claire Denis “Both Sides of the Blade”
title_fullStr Anxiety narrative and the construction of distance in the film Claire Denis “Both Sides of the Blade”
title_full_unstemmed Anxiety narrative and the construction of distance in the film Claire Denis “Both Sides of the Blade”
title_short Anxiety narrative and the construction of distance in the film Claire Denis “Both Sides of the Blade”
title_sort anxiety narrative and the construction of distance in the film claire denis both sides of the blade
topic narrative in cinema
claire denis
feminist prose
juliette binoche
url https://telecinet.com/wp-content/uploads/2023/03/telekinet.2022.3-20-p.45-48.pdf
work_keys_str_mv AT pateevaev anxietynarrativeandtheconstructionofdistanceinthefilmclairedenisbothsidesoftheblade