Gong Rénténg Transformation From Sacral to Profan
One type of gamelan art that is developing in West Java is Gong Rénténg which used to be often used in sacred ceremonial activities. The sacredness built into the art is inseparable from the belief system adopted by the community as its supporting community. Gong Rénténg's whereabouts then and...
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| Format: | Article |
| Language: | English |
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Institut Seni Indonesia Denpasar
2023-11-01
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| Series: | Mudra: Jurnal Seni Budaya |
| Subjects: | |
| Online Access: | https://jurnal.isi-dps.ac.id/index.php/mudra/article/view/2520 |
| _version_ | 1797640277892005888 |
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| author | Suhendi Afryanto Arthur Supardan Nalan Gustiyan Rachmadi |
| author_facet | Suhendi Afryanto Arthur Supardan Nalan Gustiyan Rachmadi |
| author_sort | Suhendi Afryanto |
| collection | DOAJ |
| description |
One type of gamelan art that is developing in West Java is Gong Rénténg which used to be often used in sacred ceremonial activities. The sacredness built into the art is inseparable from the belief system adopted by the community as its supporting community. Gong Rénténg's whereabouts then and now are experiencing dynamics of change which are quite important to study, especially his journey which was stopped for various reasons. Stagnant regeneration factors, changes in people's perspectives due to changes in belief systems, as well as the influx of imported arts that continue to intrude on traditional art life, are some of the main reasons this art has experienced ups and downs in its life. The research carried out has the style of cultural research involving key informants as triggers to explore the depth of the material. There are three models of cultural research as approaches taken by researchers, including; Life Story models, Grounded Theory, and Personal Narrative. While the research method used still uses qualitative research by taking locations in two different areas, namely: (1) Ciwaru Village, Cimalaka District, Sumedang Regency, and (2) Kedungsana Village, Plumbon District, Cirebon Regency. In Ciwaru village, the object of research is the art of Gong Rénténg Pusaka Langgeng, while in the village of Kedungsana it is the art of Gong Rénténg Ki Muntili. The results of the research conducted obtained the following information: (1) The Gong Rénténg Pusaka Langgeng art still adheres to adat in a standard way even though the next generation continues to decrease, and (2) The Gong Rénténg Ki Muntili art does two ways to keep it alive, namely ritual ceremonies as part of ancestral traditions are carried out as well as the process of inheritance with new interpretations.
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| first_indexed | 2024-03-11T13:29:35Z |
| format | Article |
| id | doaj.art-8c1e1d429bcb4c609a7d00e1c365ac81 |
| institution | Directory Open Access Journal |
| issn | 0854-3461 2541-0407 |
| language | English |
| last_indexed | 2024-03-11T13:29:35Z |
| publishDate | 2023-11-01 |
| publisher | Institut Seni Indonesia Denpasar |
| record_format | Article |
| series | Mudra: Jurnal Seni Budaya |
| spelling | doaj.art-8c1e1d429bcb4c609a7d00e1c365ac812023-11-03T03:28:12ZengInstitut Seni Indonesia DenpasarMudra: Jurnal Seni Budaya0854-34612541-04072023-11-0139110.31091/mudra.v39i1.2520Gong Rénténg Transformation From Sacral to ProfanSuhendi Afryanto0Arthur Supardan Nalan1Gustiyan Rachmadi2ISBI BandungISBI BandungISBI Bandung One type of gamelan art that is developing in West Java is Gong Rénténg which used to be often used in sacred ceremonial activities. The sacredness built into the art is inseparable from the belief system adopted by the community as its supporting community. Gong Rénténg's whereabouts then and now are experiencing dynamics of change which are quite important to study, especially his journey which was stopped for various reasons. Stagnant regeneration factors, changes in people's perspectives due to changes in belief systems, as well as the influx of imported arts that continue to intrude on traditional art life, are some of the main reasons this art has experienced ups and downs in its life. The research carried out has the style of cultural research involving key informants as triggers to explore the depth of the material. There are three models of cultural research as approaches taken by researchers, including; Life Story models, Grounded Theory, and Personal Narrative. While the research method used still uses qualitative research by taking locations in two different areas, namely: (1) Ciwaru Village, Cimalaka District, Sumedang Regency, and (2) Kedungsana Village, Plumbon District, Cirebon Regency. In Ciwaru village, the object of research is the art of Gong Rénténg Pusaka Langgeng, while in the village of Kedungsana it is the art of Gong Rénténg Ki Muntili. The results of the research conducted obtained the following information: (1) The Gong Rénténg Pusaka Langgeng art still adheres to adat in a standard way even though the next generation continues to decrease, and (2) The Gong Rénténg Ki Muntili art does two ways to keep it alive, namely ritual ceremonies as part of ancestral traditions are carried out as well as the process of inheritance with new interpretations. https://jurnal.isi-dps.ac.id/index.php/mudra/article/view/2520Gong Renteng Sacred and Profan |
| spellingShingle | Suhendi Afryanto Arthur Supardan Nalan Gustiyan Rachmadi Gong Rénténg Transformation From Sacral to Profan Mudra: Jurnal Seni Budaya Gong Renteng Sacred and Profan |
| title | Gong Rénténg Transformation From Sacral to Profan |
| title_full | Gong Rénténg Transformation From Sacral to Profan |
| title_fullStr | Gong Rénténg Transformation From Sacral to Profan |
| title_full_unstemmed | Gong Rénténg Transformation From Sacral to Profan |
| title_short | Gong Rénténg Transformation From Sacral to Profan |
| title_sort | gong renteng transformation from sacral to profan |
| topic | Gong Renteng Sacred and Profan |
| url | https://jurnal.isi-dps.ac.id/index.php/mudra/article/view/2520 |
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