The Water Dragon and the Snake Witch: Two Vendel Period Picture Stones from Gotland, Sweden
The style and iconography of two wellknown picture stones are reanalysed. The Hablingbo Havor II pic ture stone shows a motif that occurs frequently in Got landic art from the Vendel Period onwards: the“Water Dragon”. It is suggested that this relates to an ideo logical connection between the...
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| Format: | Article |
| Language: | English |
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Svenska Arkeologiska Samfundet
2014-12-01
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| Series: | Current Swedish Archaeology |
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| Online Access: | https://193.10.12.85:443/csa/article/view/214 |
| Summary: | The style and iconography of two wellknown picture stones are reanalysed. The Hablingbo Havor II pic ture stone shows a motif that occurs frequently in Got landic art from the Vendel Period onwards: the“Water Dragon”. It is suggested that this relates to an ideo logical connection between the dragon and the sea, where the sea is the dragon that ferries ships to distant shores. This is reflected not only in picture stones, but in Viking Age art in general. The iconography of När Smiss III (the “Snake Witch”) has been interpreted in a variety of ways, but special consideration is given to Peel’s (1999) suggestion that it relates closely to the Vi tastjärna myth from the 13thcentury Guta Saga. The artistic style of the zoomorphs on both stones (Style II) is typically dated to the Vendel Period. It is suggested that Sune Lindqvist’s insistence that the stones date from before AD 600 comes from a longstanding de bate with Nils Åberg over the date and context of the east mound at Uppsala, and by association, the date of the artistic style found on Hablingbo Havor II and När Smiss III. This debate has been resolved in favour of Åberg’s interpretation. These two picture stones rep resent an artistic tradition that should be dated con servatively from the beginning of the 5th century AD to the middle of the 7th century AD.
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| ISSN: | 1102-7355 2002-3901 |