Representasi Perempuan dalam Film Bernuansa Islami
<p><em>This writing shows that work of film which signs and defines realities through separation and election of meaning network fitting to certain view has limited audiences’ paradigm in defining their social realities; as if what given by film is a usual happening and should be a direc...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Faculty of Ushuluddin
2013-04-01
|
| Series: | Refleksi |
| Online Access: | http://journal.uinjkt.ac.id/index.php/refleksi/article/view/912 |
| _version_ | 1818083116523192320 |
|---|---|
| author | Syiqqil Arofat |
| author_facet | Syiqqil Arofat |
| author_sort | Syiqqil Arofat |
| collection | DOAJ |
| description | <p><em>This writing shows that work of film which signs and defines realities through separation and election of meaning network fitting to certain view has limited audiences’ paradigm in defining their social realities; as if what given by film is a usual happening and should be a direction for the audiences to behave and act. The direction then is tightly attached with identification for differing between good and bad, wrong and right, friend and foe, us and them, even the most liked by the audiences is: sexual differentiation between man and woman. In this respect, to be a man or woman is presented as a different experience and cannot be the same in terms of behavior, action and role in whole life aspects. By this meaning construction, cultural hegemony starts.</em></p><p class="p1"><strong>DOI:</strong> <a href="http://dx.doi.org/10.15408/ref.v13i4.912" target="_blank">10.15408/ref.v13i4.912</a></p><p><em><br /></em></p> |
| first_indexed | 2024-12-10T19:32:53Z |
| format | Article |
| id | doaj.art-8c33340a2bec4cc68a899c418ca11091 |
| institution | Directory Open Access Journal |
| issn | 0215-6253 |
| language | English |
| last_indexed | 2024-12-10T19:32:53Z |
| publishDate | 2013-04-01 |
| publisher | Faculty of Ushuluddin |
| record_format | Article |
| series | Refleksi |
| spelling | doaj.art-8c33340a2bec4cc68a899c418ca110912022-12-22T01:36:12ZengFaculty of UshuluddinRefleksi0215-62532013-04-0113449552810.15408/ref.v13i4.912834Representasi Perempuan dalam Film Bernuansa IslamiSyiqqil Arofat0Master Program University of Indonesia<p><em>This writing shows that work of film which signs and defines realities through separation and election of meaning network fitting to certain view has limited audiences’ paradigm in defining their social realities; as if what given by film is a usual happening and should be a direction for the audiences to behave and act. The direction then is tightly attached with identification for differing between good and bad, wrong and right, friend and foe, us and them, even the most liked by the audiences is: sexual differentiation between man and woman. In this respect, to be a man or woman is presented as a different experience and cannot be the same in terms of behavior, action and role in whole life aspects. By this meaning construction, cultural hegemony starts.</em></p><p class="p1"><strong>DOI:</strong> <a href="http://dx.doi.org/10.15408/ref.v13i4.912" target="_blank">10.15408/ref.v13i4.912</a></p><p><em><br /></em></p>http://journal.uinjkt.ac.id/index.php/refleksi/article/view/912 |
| spellingShingle | Syiqqil Arofat Representasi Perempuan dalam Film Bernuansa Islami Refleksi |
| title | Representasi Perempuan dalam Film Bernuansa Islami |
| title_full | Representasi Perempuan dalam Film Bernuansa Islami |
| title_fullStr | Representasi Perempuan dalam Film Bernuansa Islami |
| title_full_unstemmed | Representasi Perempuan dalam Film Bernuansa Islami |
| title_short | Representasi Perempuan dalam Film Bernuansa Islami |
| title_sort | representasi perempuan dalam film bernuansa islami |
| url | http://journal.uinjkt.ac.id/index.php/refleksi/article/view/912 |
| work_keys_str_mv | AT syiqqilarofat representasiperempuandalamfilmbernuansaislami |