Should we really ‘hermeneutise’ the Digital Humanities? A plea for the epistemic productivity of a ‘cultural technique of flattening’ in the Humanities.

Why are the Digital Humanities a genuine part of the Humanities? Attempts are currently being made by arguing that computational methods are at the same time hermeneutic procedures (‘screwmeneutics’, ‘hermenumericals’): computation and hermeneutics were mixed. In criticizing this fusion of ‘literacy...

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Main Author: Sybille Krämer
Format: Article
Language:English
Published: Department of Languages, Literatures, and Cultures at McGill University 2022-11-01
Series:Journal of Cultural Analytics
Online Access:https://culturalanalytics.org/article/55592-should-we-really-hermeneutise-the-digital-humanities-a-plea-for-the-epistemic-productivity-of-a-cultural-technique-of-flattening-in-the-humaniti
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author Sybille Krämer
author_facet Sybille Krämer
author_sort Sybille Krämer
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description Why are the Digital Humanities a genuine part of the Humanities? Attempts are currently being made by arguing that computational methods are at the same time hermeneutic procedures (‘screwmeneutics’, ‘hermenumericals’): computation and hermeneutics were mixed. In criticizing this fusion of ‘literacy’ and ‘numeracy’, it is argued that what really connects the classical Humanities and the Digital Humanities is methodologically based on the ‘cultural technique of flattening’ and not on hermeneutics. The projection of spatial and non-spatial relations onto the artificial flatness of inscribed and illustrated surfaces forms a first-order epistemic and cultural potential in the history of the Humanities: diagrammatic reasoning, the visualizing potential of writings, lists, tables, diagrams, and maps, the sorting function of alphabetically ordered knowledge corpora have always shaped and determined basic scholarly work. It is this ‘diagrammatical’ dimension to which the Digital Humanities are linked to Humanities in general. The metamorphosis of texts, pictures, and music into the surface configurations of machine-analyzable data corpora opens up the possibility of revealing latent and implicit patterns of cultural artifacts, and practices that mostly are not accessible to human perception. The quantifying, computational methods of the Digital Humanities operate like computer-generated microscopes and telescopes into the cultural heritage, ongoing cultural practices, and even the culturally unconscious.
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spelling doaj.art-8c5570905dff400aacf5a0d1f74db24f2023-01-30T15:46:09ZengDepartment of Languages, Literatures, and Cultures at McGill UniversityJournal of Cultural Analytics2371-45492022-11-01Should we really ‘hermeneutise’ the Digital Humanities? A plea for the epistemic productivity of a ‘cultural technique of flattening’ in the Humanities.Sybille KrämerWhy are the Digital Humanities a genuine part of the Humanities? Attempts are currently being made by arguing that computational methods are at the same time hermeneutic procedures (‘screwmeneutics’, ‘hermenumericals’): computation and hermeneutics were mixed. In criticizing this fusion of ‘literacy’ and ‘numeracy’, it is argued that what really connects the classical Humanities and the Digital Humanities is methodologically based on the ‘cultural technique of flattening’ and not on hermeneutics. The projection of spatial and non-spatial relations onto the artificial flatness of inscribed and illustrated surfaces forms a first-order epistemic and cultural potential in the history of the Humanities: diagrammatic reasoning, the visualizing potential of writings, lists, tables, diagrams, and maps, the sorting function of alphabetically ordered knowledge corpora have always shaped and determined basic scholarly work. It is this ‘diagrammatical’ dimension to which the Digital Humanities are linked to Humanities in general. The metamorphosis of texts, pictures, and music into the surface configurations of machine-analyzable data corpora opens up the possibility of revealing latent and implicit patterns of cultural artifacts, and practices that mostly are not accessible to human perception. The quantifying, computational methods of the Digital Humanities operate like computer-generated microscopes and telescopes into the cultural heritage, ongoing cultural practices, and even the culturally unconscious.https://culturalanalytics.org/article/55592-should-we-really-hermeneutise-the-digital-humanities-a-plea-for-the-epistemic-productivity-of-a-cultural-technique-of-flattening-in-the-humaniti
spellingShingle Sybille Krämer
Should we really ‘hermeneutise’ the Digital Humanities? A plea for the epistemic productivity of a ‘cultural technique of flattening’ in the Humanities.
Journal of Cultural Analytics
title Should we really ‘hermeneutise’ the Digital Humanities? A plea for the epistemic productivity of a ‘cultural technique of flattening’ in the Humanities.
title_full Should we really ‘hermeneutise’ the Digital Humanities? A plea for the epistemic productivity of a ‘cultural technique of flattening’ in the Humanities.
title_fullStr Should we really ‘hermeneutise’ the Digital Humanities? A plea for the epistemic productivity of a ‘cultural technique of flattening’ in the Humanities.
title_full_unstemmed Should we really ‘hermeneutise’ the Digital Humanities? A plea for the epistemic productivity of a ‘cultural technique of flattening’ in the Humanities.
title_short Should we really ‘hermeneutise’ the Digital Humanities? A plea for the epistemic productivity of a ‘cultural technique of flattening’ in the Humanities.
title_sort should we really hermeneutise the digital humanities a plea for the epistemic productivity of a cultural technique of flattening in the humanities
url https://culturalanalytics.org/article/55592-should-we-really-hermeneutise-the-digital-humanities-a-plea-for-the-epistemic-productivity-of-a-cultural-technique-of-flattening-in-the-humaniti
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