MARKEDNESS OF THEME IN EVERYTHING, EVERYTHING MOVIE DIALOG
This study entitled Markedness Realization in Everything, Everything Movie Script. The research is meant to analyze how the Theme markedness realized in the clauses of the movie script. The theory that is used in this research is Systemic Functional Linguistics (SFL) proposed by Halliday (1994), reg...
| Main Authors: | , , , |
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| Format: | Article |
| Language: | English |
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Faculty of Cultural Sciences, Universitas Mulawarman
2020-12-01
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| Series: | CaLLs: Journal of Culture, Arts, Literature, and Linguistics |
| Subjects: | |
| Online Access: | https://e-journals.unmul.ac.id/index.php/CALLS/article/view/2332 |
| _version_ | 1797521318590021632 |
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| author | Nurhayati Br Tarigan Tengku Silvana Sinar Yulianus Harefa Muhammad Yusuf |
| author_facet | Nurhayati Br Tarigan Tengku Silvana Sinar Yulianus Harefa Muhammad Yusuf |
| author_sort | Nurhayati Br Tarigan |
| collection | DOAJ |
| description | This study entitled Markedness Realization in Everything, Everything Movie Script. The research is meant to analyze how the Theme markedness realized in the clauses of the movie script. The theory that is used in this research is Systemic Functional Linguistics (SFL) proposed by Halliday (1994), regarded with textual function that observes clause as a message and analyzes it from the thematic structure in the term of Theme-Rheme. He states that Theme can be divided into two, unmarked Theme is an element that occupies the point of departure position of the clause, conflating with the grammatical subject and marked Theme is an element other than occupies the point of departure position of the clause, but does not conflates with the grammatical subject. The method that is applied in this research is descriptive qualitative method. The source of data were one of the most viewed romantic movies in 2017 script, Everything, Everything, taken from Springfield Springfield site. Data of the research were selected, based on the second character dialog of this movie script. The purpose of this research is to indicate the four types of markedness and to describe the realization of the Theme markedness in the movie script. The research findings showed that the dominant type of markedness realization is simple unmarked Theme with 69.4% percentage. This type of markedness dominated other kinds of markedness realization in addition to simple marked Theme with 2.4% percentage, multiple unmarked Theme with 27.1% percentage, and multiple marked Theme with 0.9% percentage. |
| first_indexed | 2024-03-10T08:10:55Z |
| format | Article |
| id | doaj.art-8c57fbd1a85243099430cb8450f08f5c |
| institution | Directory Open Access Journal |
| issn | 2460-674X 2549-7707 |
| language | English |
| last_indexed | 2024-03-10T08:10:55Z |
| publishDate | 2020-12-01 |
| publisher | Faculty of Cultural Sciences, Universitas Mulawarman |
| record_format | Article |
| series | CaLLs: Journal of Culture, Arts, Literature, and Linguistics |
| spelling | doaj.art-8c57fbd1a85243099430cb8450f08f5c2023-11-22T10:43:06ZengFaculty of Cultural Sciences, Universitas MulawarmanCaLLs: Journal of Culture, Arts, Literature, and Linguistics2460-674X2549-77072020-12-016216518010.30872/calls.v6i2.23322887MARKEDNESS OF THEME IN EVERYTHING, EVERYTHING MOVIE DIALOGNurhayati Br Tarigan0Tengku Silvana Sinar1Yulianus Harefa2Muhammad Yusuf3University of Sumatera UtaraUniversity of Sumatera UtaraUniversity of Sumatera UtaraUniversity of Sumatera UtaraThis study entitled Markedness Realization in Everything, Everything Movie Script. The research is meant to analyze how the Theme markedness realized in the clauses of the movie script. The theory that is used in this research is Systemic Functional Linguistics (SFL) proposed by Halliday (1994), regarded with textual function that observes clause as a message and analyzes it from the thematic structure in the term of Theme-Rheme. He states that Theme can be divided into two, unmarked Theme is an element that occupies the point of departure position of the clause, conflating with the grammatical subject and marked Theme is an element other than occupies the point of departure position of the clause, but does not conflates with the grammatical subject. The method that is applied in this research is descriptive qualitative method. The source of data were one of the most viewed romantic movies in 2017 script, Everything, Everything, taken from Springfield Springfield site. Data of the research were selected, based on the second character dialog of this movie script. The purpose of this research is to indicate the four types of markedness and to describe the realization of the Theme markedness in the movie script. The research findings showed that the dominant type of markedness realization is simple unmarked Theme with 69.4% percentage. This type of markedness dominated other kinds of markedness realization in addition to simple marked Theme with 2.4% percentage, multiple unmarked Theme with 27.1% percentage, and multiple marked Theme with 0.9% percentage.https://e-journals.unmul.ac.id/index.php/CALLS/article/view/2332markednessunmarked thememarked themescriptsystemic functional linguistics |
| spellingShingle | Nurhayati Br Tarigan Tengku Silvana Sinar Yulianus Harefa Muhammad Yusuf MARKEDNESS OF THEME IN EVERYTHING, EVERYTHING MOVIE DIALOG CaLLs: Journal of Culture, Arts, Literature, and Linguistics markedness unmarked theme marked theme script systemic functional linguistics |
| title | MARKEDNESS OF THEME IN EVERYTHING, EVERYTHING MOVIE DIALOG |
| title_full | MARKEDNESS OF THEME IN EVERYTHING, EVERYTHING MOVIE DIALOG |
| title_fullStr | MARKEDNESS OF THEME IN EVERYTHING, EVERYTHING MOVIE DIALOG |
| title_full_unstemmed | MARKEDNESS OF THEME IN EVERYTHING, EVERYTHING MOVIE DIALOG |
| title_short | MARKEDNESS OF THEME IN EVERYTHING, EVERYTHING MOVIE DIALOG |
| title_sort | markedness of theme in everything everything movie dialog |
| topic | markedness unmarked theme marked theme script systemic functional linguistics |
| url | https://e-journals.unmul.ac.id/index.php/CALLS/article/view/2332 |
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