An Ecological Reading of Interspecies Mutation in Annihilation

Humans’ detachment from nature, as justified by an alleged exceptionalism falsely granted by our ability to reason, has resulted in the ecological crisis we face today. Besides, our fear and suspicion of wilderness has also prompted us to master the natural world on our terms. This article aims at...

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Main Author: Irene Sanz Alonso
Format: Article
Language:English
Published: Universitat Autònoma de Barcelona 2023-06-01
Series:Brumal: Revista de Investigación sobre lo Fantástico
Subjects:
Online Access:https://revistes.uab.cat/brumal/article/view/911
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author Irene Sanz Alonso
author_facet Irene Sanz Alonso
author_sort Irene Sanz Alonso
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description Humans’ detachment from nature, as justified by an alleged exceptionalism falsely granted by our ability to reason, has resulted in the ecological crisis we face today. Besides, our fear and suspicion of wilderness has also prompted us to master the natural world on our terms. This article aims at exploring how Alex Garland’s film Annihilation (2018) discomforts the audience by challenging our assumptions about a nature that we believed already conquered. The analysis will focus on how the film portrays mutations that produce hybrid creatures mixing animal and plant DNA thus destabilizing the limits between human and non-human. This crossing of porous boundaries illustrates our vulnerability as species and our dependance on the ecosystem that surrounds us. 
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spelling doaj.art-8c74c004df2d4b17998df98d62444d502023-06-17T23:24:41ZengUniversitat Autònoma de BarcelonaBrumal: Revista de Investigación sobre lo Fantástico2014-79102023-06-0111110.5565/rev/brumal.911An Ecological Reading of Interspecies Mutation in AnnihilationIrene Sanz Alonso Humans’ detachment from nature, as justified by an alleged exceptionalism falsely granted by our ability to reason, has resulted in the ecological crisis we face today. Besides, our fear and suspicion of wilderness has also prompted us to master the natural world on our terms. This article aims at exploring how Alex Garland’s film Annihilation (2018) discomforts the audience by challenging our assumptions about a nature that we believed already conquered. The analysis will focus on how the film portrays mutations that produce hybrid creatures mixing animal and plant DNA thus destabilizing the limits between human and non-human. This crossing of porous boundaries illustrates our vulnerability as species and our dependance on the ecosystem that surrounds us.  https://revistes.uab.cat/brumal/article/view/911Annihilationmutationvegetation.
spellingShingle Irene Sanz Alonso
An Ecological Reading of Interspecies Mutation in Annihilation
Brumal: Revista de Investigación sobre lo Fantástico
Annihilation
mutation
vegetation.
title An Ecological Reading of Interspecies Mutation in Annihilation
title_full An Ecological Reading of Interspecies Mutation in Annihilation
title_fullStr An Ecological Reading of Interspecies Mutation in Annihilation
title_full_unstemmed An Ecological Reading of Interspecies Mutation in Annihilation
title_short An Ecological Reading of Interspecies Mutation in Annihilation
title_sort ecological reading of interspecies mutation in annihilation
topic Annihilation
mutation
vegetation.
url https://revistes.uab.cat/brumal/article/view/911
work_keys_str_mv AT irenesanzalonso anecologicalreadingofinterspeciesmutationinannihilation
AT irenesanzalonso ecologicalreadingofinterspeciesmutationinannihilation