The Byar: An Ethnographic and Empirical Study of a Balinese Musical Moment
The Balinese gong kebyar repertoire is marked by virtuosic, unmetered tutti passages, referred to as kebyar, which often begin with a byar, a sudden, tutti chord performed by the majority of the ensemble of 20-30 musicians. This paper investigates the claim, made by some Balinese musicians, that the...
Main Authors: | McGraw, Andy, Kohnen, Christine |
---|---|
Format: | Article |
Language: | English |
Published: |
Analytical Approaches to World Music
2016-05-01
|
Series: | Analytical Approaches to World Music |
Online Access: | http://aawmjournal.com/articles/2016a/McGraw_Kohnen_AAWM_Vol_5_1.pdf |
Similar Items
-
The Perception and Cognition of Time in Balinese Music
by: Andrew Clay McGraw
Published: (2008-05-01) -
Go-Byar Based on Virtual Reality for the Learning Media of Gamelan
by: Kadek Dwipayana, et al.
Published: (2019-10-01) -
Re-Actualization Balinese Gamelan Harmony for Renewal Knowlegde of the Balinese Music
by: I Ketut Ardana
Published: (2021-06-01) -
BALINESE DANCE AND MUSIC IN RELATION TO HINDUISM
by: i gede arya sugiartha
Published: (2018-01-01) -
Ethnographic notes on two operations of the body among a community of Balinese on Lombok
by: Duff-Cooper, A
Published: (1985)