Écrans américains, écrin maghrébin
The focus of this article is the reception of Maghrebi films in the USA, concentrating on three films released in the early 2000s, one Tunisian, Satin Rouge [Amari, 2002], and two Algerian, Viva Laldjérie [Nadir Moknèche, 2004], and Rachida [Yamina Bachir-Chouikh, 2002], projected during the 8th San...
| Main Author: | |
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| Format: | Article |
| Language: | English |
| Published: |
Université de Provence
2013-12-01
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| Series: | Revue des Mondes Musulmans et de la Méditerranée |
| Subjects: | |
| Online Access: | https://journals.openedition.org/remmm/8382 |
| _version_ | 1797312261995364352 |
|---|---|
| author | Marie-Pierre Ulloa |
| author_facet | Marie-Pierre Ulloa |
| author_sort | Marie-Pierre Ulloa |
| collection | DOAJ |
| description | The focus of this article is the reception of Maghrebi films in the USA, concentrating on three films released in the early 2000s, one Tunisian, Satin Rouge [Amari, 2002], and two Algerian, Viva Laldjérie [Nadir Moknèche, 2004], and Rachida [Yamina Bachir-Chouikh, 2002], projected during the 8th San Francisco Arab Film Festival of 2004. We begin by presenting Florence Martin's rendering of the reception of Satin Rouge in the journal Africultures dedicated to Cinemas of the Maghreb and its public, which focused on the media and academic circles. We extend her study by exploring another popular venue for the diffusion of movies in the US, the film festival circuit. We then analyze the reception of the female Maghrebi body by Californian audiences through the study of two emblematic actresses, Palestinian Hiam Abbass (Satin Rouge) and Moroccan Lubna Azabal (Viva Laldjérie) who each embodies a unique version of the Arab woman on screen. |
| first_indexed | 2024-03-08T02:11:38Z |
| format | Article |
| id | doaj.art-8cc10b36b6c844e4ab75ace9739d72a1 |
| institution | Directory Open Access Journal |
| issn | 0997-1327 2105-2271 |
| language | English |
| last_indexed | 2024-03-08T02:11:38Z |
| publishDate | 2013-12-01 |
| publisher | Université de Provence |
| record_format | Article |
| series | Revue des Mondes Musulmans et de la Méditerranée |
| spelling | doaj.art-8cc10b36b6c844e4ab75ace9739d72a12024-02-13T15:20:00ZengUniversité de ProvenceRevue des Mondes Musulmans et de la Méditerranée0997-13272105-22712013-12-0113410.4000/remmm.8382Écrans américains, écrin maghrébinMarie-Pierre UlloaThe focus of this article is the reception of Maghrebi films in the USA, concentrating on three films released in the early 2000s, one Tunisian, Satin Rouge [Amari, 2002], and two Algerian, Viva Laldjérie [Nadir Moknèche, 2004], and Rachida [Yamina Bachir-Chouikh, 2002], projected during the 8th San Francisco Arab Film Festival of 2004. We begin by presenting Florence Martin's rendering of the reception of Satin Rouge in the journal Africultures dedicated to Cinemas of the Maghreb and its public, which focused on the media and academic circles. We extend her study by exploring another popular venue for the diffusion of movies in the US, the film festival circuit. We then analyze the reception of the female Maghrebi body by Californian audiences through the study of two emblematic actresses, Palestinian Hiam Abbass (Satin Rouge) and Moroccan Lubna Azabal (Viva Laldjérie) who each embodies a unique version of the Arab woman on screen.https://journals.openedition.org/remmm/8382cinemaMaghrebfestivalfemale maghrebi bodyLubna AzabalHiam Abbass |
| spellingShingle | Marie-Pierre Ulloa Écrans américains, écrin maghrébin Revue des Mondes Musulmans et de la Méditerranée cinema Maghreb festival female maghrebi body Lubna Azabal Hiam Abbass |
| title | Écrans américains, écrin maghrébin |
| title_full | Écrans américains, écrin maghrébin |
| title_fullStr | Écrans américains, écrin maghrébin |
| title_full_unstemmed | Écrans américains, écrin maghrébin |
| title_short | Écrans américains, écrin maghrébin |
| title_sort | ecrans americains ecrin maghrebin |
| topic | cinema Maghreb festival female maghrebi body Lubna Azabal Hiam Abbass |
| url | https://journals.openedition.org/remmm/8382 |
| work_keys_str_mv | AT mariepierreulloa ecransamericainsecrinmaghrebin |