The Samba Controversy between Noel Rosa and Wilson Batista: Intertextuality and the Meanders of Composition

The purpose of this paper is to analyze the meanders of composition and their intertextuality in the samba controversy between Noel Rosa and Wilson Batista. We observe dialogism in the verbal and musical interaction between the samba writers and several texts of the 1930s. When ears are in tune with...

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Main Authors: Leandro Moreira da Luz, Bruno Flávio Lontra Fagundes, Mônica Luiza Sócio Fernandes
Format: Article
Language:English
Published: Pontifícia Universidade Católica de São Paulo 2015-07-01
Series:Bakhtiniana: Revista de Estudos do Discurso
Subjects:
Online Access:http://www.scielo.br/scielo.php?script=sci_arttext&pid=S2176-45732015000200036&lng=en&nrm=iso&tlng=en
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author Leandro Moreira da Luz
Bruno Flávio Lontra Fagundes
Mônica Luiza Sócio Fernandes
author_facet Leandro Moreira da Luz
Bruno Flávio Lontra Fagundes
Mônica Luiza Sócio Fernandes
author_sort Leandro Moreira da Luz
collection DOAJ
description The purpose of this paper is to analyze the meanders of composition and their intertextuality in the samba controversy between Noel Rosa and Wilson Batista. We observe dialogism in the verbal and musical interaction between the samba writers and several texts of the 1930s. When ears are in tune with the "samba controversy," one observes that the compositions reveal inexorable tensions between the festive world of the "malandro" and the limits of the reality of the time. Accordingly, based on studies that address this theme, we aim to present an insight into this musical "duel," which is not restricted to purely aesthetics issues, but certainly disseminated in society.
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spelling doaj.art-8cdf53c389eb4f3bba5e44f3814feaab2022-12-22T02:04:58ZengPontifícia Universidade Católica de São PauloBakhtiniana: Revista de Estudos do Discurso2176-45732176-45732015-07-011023760The Samba Controversy between Noel Rosa and Wilson Batista: Intertextuality and the Meanders of CompositionLeandro Moreira da Luz0Bruno Flávio Lontra Fagundes1Mônica Luiza Sócio Fernandes2CIESUNESPARUNESPARThe purpose of this paper is to analyze the meanders of composition and their intertextuality in the samba controversy between Noel Rosa and Wilson Batista. We observe dialogism in the verbal and musical interaction between the samba writers and several texts of the 1930s. When ears are in tune with the "samba controversy," one observes that the compositions reveal inexorable tensions between the festive world of the "malandro" and the limits of the reality of the time. Accordingly, based on studies that address this theme, we aim to present an insight into this musical "duel," which is not restricted to purely aesthetics issues, but certainly disseminated in society.http://www.scielo.br/scielo.php?script=sci_arttext&pid=S2176-45732015000200036&lng=en&nrm=iso&tlng=enSambaControversyIntertextuality
spellingShingle Leandro Moreira da Luz
Bruno Flávio Lontra Fagundes
Mônica Luiza Sócio Fernandes
The Samba Controversy between Noel Rosa and Wilson Batista: Intertextuality and the Meanders of Composition
Bakhtiniana: Revista de Estudos do Discurso
Samba
Controversy
Intertextuality
title The Samba Controversy between Noel Rosa and Wilson Batista: Intertextuality and the Meanders of Composition
title_full The Samba Controversy between Noel Rosa and Wilson Batista: Intertextuality and the Meanders of Composition
title_fullStr The Samba Controversy between Noel Rosa and Wilson Batista: Intertextuality and the Meanders of Composition
title_full_unstemmed The Samba Controversy between Noel Rosa and Wilson Batista: Intertextuality and the Meanders of Composition
title_short The Samba Controversy between Noel Rosa and Wilson Batista: Intertextuality and the Meanders of Composition
title_sort samba controversy between noel rosa and wilson batista intertextuality and the meanders of composition
topic Samba
Controversy
Intertextuality
url http://www.scielo.br/scielo.php?script=sci_arttext&pid=S2176-45732015000200036&lng=en&nrm=iso&tlng=en
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