Rendering (the) Visible II: Figure (2014)

In February 2014, Georgia State University’s Moving Image Studies programme hosted its second biennial conference, Rendering (the) Visible II: Figure, drawing scholars from across the United States, Romania, Canada, Portugal, the United Kingdom and Australia. Convened by Georgia State faculty member...

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Main Authors: Laurel Ahnert, Justin Horton
Format: Article
Language:English
Published: University College Cork 2015-02-01
Series:Alphaville: Journal of Film and Screen Media
Subjects:
Online Access:http://www.alphavillejournal.com/Issue8/HTML/CReportAhnertandHorton.html
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author Laurel Ahnert
Justin Horton
author_facet Laurel Ahnert
Justin Horton
author_sort Laurel Ahnert
collection DOAJ
description In February 2014, Georgia State University’s Moving Image Studies programme hosted its second biennial conference, Rendering (the) Visible II: Figure, drawing scholars from across the United States, Romania, Canada, Portugal, the United Kingdom and Australia. Convened by Georgia State faculty members Jennifer M. Barker, Alessandra Raengo and Angelo Restivo, the conference sought to explore the growing interest in the figural as a productive shift away from representation and signification in film and media theory.
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spelling doaj.art-8cf9a60f912f4169ab40499d893054462022-12-22T02:56:23ZengUniversity College CorkAlphaville: Journal of Film and Screen Media2009-40782015-02-018116121https://doi.org/10.33178/alpha.8.10Rendering (the) Visible II: Figure (2014)Laurel Ahnert0Justin Horton1https://orcid.org/0000-0002-7400-2477Georgia State UniversityGeorgia State UniversityIn February 2014, Georgia State University’s Moving Image Studies programme hosted its second biennial conference, Rendering (the) Visible II: Figure, drawing scholars from across the United States, Romania, Canada, Portugal, the United Kingdom and Australia. Convened by Georgia State faculty members Jennifer M. Barker, Alessandra Raengo and Angelo Restivo, the conference sought to explore the growing interest in the figural as a productive shift away from representation and signification in film and media theory.http://www.alphavillejournal.com/Issue8/HTML/CReportAhnertandHorton.htmlvisualityfiguralsensationrepresentationimagesgesturalaffectiverhythmic
spellingShingle Laurel Ahnert
Justin Horton
Rendering (the) Visible II: Figure (2014)
Alphaville: Journal of Film and Screen Media
visuality
figural
sensation
representation
images
gestural
affective
rhythmic
title Rendering (the) Visible II: Figure (2014)
title_full Rendering (the) Visible II: Figure (2014)
title_fullStr Rendering (the) Visible II: Figure (2014)
title_full_unstemmed Rendering (the) Visible II: Figure (2014)
title_short Rendering (the) Visible II: Figure (2014)
title_sort rendering the visible ii figure 2014
topic visuality
figural
sensation
representation
images
gestural
affective
rhythmic
url http://www.alphavillejournal.com/Issue8/HTML/CReportAhnertandHorton.html
work_keys_str_mv AT laurelahnert renderingthevisibleiifigure2014
AT justinhorton renderingthevisibleiifigure2014