STYLE PARADIGMS OF WESTERN EUROPEAN MUSIC IN THE WORKS OF SYDIR VOROBKEVYCH
The study of the works of composers of different national schools, their creative connections, peculiarities of stylistic contaminations – an important aspect of forming a general “world view” in the field of music. Individual personalities, their works have become a source of information about stea...
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| Format: | Article |
| Language: | English |
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Babeș-Bolyai University
2020-12-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
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| Online Access: | http://193.231.18.162/index.php/subbmusica/article/view/2017 |
| _version_ | 1827390017941536768 |
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| author | Yuliya KAPLIYENKO-ILIUK |
| author_facet | Yuliya KAPLIYENKO-ILIUK |
| author_sort | Yuliya KAPLIYENKO-ILIUK |
| collection | DOAJ |
| description | The study of the works of composers of different national schools, their creative connections, peculiarities of stylistic contaminations – an important aspect of forming a general “world view” in the field of music. Individual personalities, their works have become a source of information about steady models of musical art, which have become a model for most European cultures. Stylistic paradigms of Western European music were differently manifested in the works of representatives of different peoples and times. The work of a Bukovynian composer of the end of the XIX century – Sydir Vorobkevych – is an example of a combination of national, folklore and classical traditions. The formation of his creative thinking took place in a multinational environment, studying at the Vienna Conservatory, attending concerts, and getting acquainted with the creative and performing activities of his contemporaries. S. Vorobkevych's variety of genres was influenced by stylistic models of classical, romantic, and separate national schools – German, Italian, French, Spanish, Romanian, Czech etc. Thus, the study of stylistic basics of creative work of composers of different national schools, revealing intercultural correlations of the past will contribute to the expansion of the ideas about principles of forming stylistic paradigms of the world musical art. |
| first_indexed | 2024-03-08T16:46:15Z |
| format | Article |
| id | doaj.art-8d122ff65bb24017a0355292d7ebc4ff |
| institution | Directory Open Access Journal |
| issn | 1844-4369 2065-9628 |
| language | English |
| last_indexed | 2024-03-08T16:46:15Z |
| publishDate | 2020-12-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj.art-8d122ff65bb24017a0355292d7ebc4ff2024-01-05T09:41:15ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282020-12-0165210.24193/subbmusica.2020.2.07STYLE PARADIGMS OF WESTERN EUROPEAN MUSIC IN THE WORKS OF SYDIR VOROBKEVYCHYuliya KAPLIYENKO-ILIUK0PhD in History of Art, Associate Professor of the Department of Music of Yuriy Fedkovich Chernivtsi National University, Ukraine, E-mail: yuliyakaplienko@gmail.comThe study of the works of composers of different national schools, their creative connections, peculiarities of stylistic contaminations – an important aspect of forming a general “world view” in the field of music. Individual personalities, their works have become a source of information about steady models of musical art, which have become a model for most European cultures. Stylistic paradigms of Western European music were differently manifested in the works of representatives of different peoples and times. The work of a Bukovynian composer of the end of the XIX century – Sydir Vorobkevych – is an example of a combination of national, folklore and classical traditions. The formation of his creative thinking took place in a multinational environment, studying at the Vienna Conservatory, attending concerts, and getting acquainted with the creative and performing activities of his contemporaries. S. Vorobkevych's variety of genres was influenced by stylistic models of classical, romantic, and separate national schools – German, Italian, French, Spanish, Romanian, Czech etc. Thus, the study of stylistic basics of creative work of composers of different national schools, revealing intercultural correlations of the past will contribute to the expansion of the ideas about principles of forming stylistic paradigms of the world musical art.http://193.231.18.162/index.php/subbmusica/article/view/2017music of Bukovyna, creative ties, stylistic contaminations, Western European traditions, musical romanticism. |
| spellingShingle | Yuliya KAPLIYENKO-ILIUK STYLE PARADIGMS OF WESTERN EUROPEAN MUSIC IN THE WORKS OF SYDIR VOROBKEVYCH Studia Universitatis Babeş-Bolyai. Musica music of Bukovyna, creative ties, stylistic contaminations, Western European traditions, musical romanticism. |
| title | STYLE PARADIGMS OF WESTERN EUROPEAN MUSIC IN THE WORKS OF SYDIR VOROBKEVYCH |
| title_full | STYLE PARADIGMS OF WESTERN EUROPEAN MUSIC IN THE WORKS OF SYDIR VOROBKEVYCH |
| title_fullStr | STYLE PARADIGMS OF WESTERN EUROPEAN MUSIC IN THE WORKS OF SYDIR VOROBKEVYCH |
| title_full_unstemmed | STYLE PARADIGMS OF WESTERN EUROPEAN MUSIC IN THE WORKS OF SYDIR VOROBKEVYCH |
| title_short | STYLE PARADIGMS OF WESTERN EUROPEAN MUSIC IN THE WORKS OF SYDIR VOROBKEVYCH |
| title_sort | style paradigms of western european music in the works of sydir vorobkevych |
| topic | music of Bukovyna, creative ties, stylistic contaminations, Western European traditions, musical romanticism. |
| url | http://193.231.18.162/index.php/subbmusica/article/view/2017 |
| work_keys_str_mv | AT yuliyakapliyenkoiliuk styleparadigmsofwesterneuropeanmusicintheworksofsydirvorobkevych |