“You Can’t Play a Sad Song on the Banjo:” Acoustic Factors in the Judgment of Instrument Capacity to Convey Sadness

Forty-four Western-enculturated musicians completed two studies. The first group was asked to judge the relative sadness of forty-four familiar Western instruments. An independent group was asked to assess a number of acoustical properties for those same instruments. Using the estimated acoustical p...

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Main Authors: David Huron, Neesha Anderson, Daniel Shanahan
Format: Article
Language:English
Published: The Ohio State University Libraries 2014-05-01
Series:Empirical Musicology Review
Subjects:
Online Access:https://doi.org/10.18061/emr.v9i1.4085
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author David Huron
Neesha Anderson
Daniel Shanahan
author_facet David Huron
Neesha Anderson
Daniel Shanahan
author_sort David Huron
collection DOAJ
description Forty-four Western-enculturated musicians completed two studies. The first group was asked to judge the relative sadness of forty-four familiar Western instruments. An independent group was asked to assess a number of acoustical properties for those same instruments. Using the estimated acoustical properties as predictor variables in a multiple regression analysis, a significant correlation was found between those properties known to contribute to sad prosody in speech and the judged sadness of the instruments. The best predictor variable was the ability of the instrument to make small pitch movements. Other variables investigated included the darkness of the timbre, the ability to play low pitches, the ability to play quietly, and the capacity of the instrument to "mumble." Four of the acoustical factors were found to exhibit a considerable amount of shared variance, suggesting that they may originate in a common underlying factor. It is suggested that the shared proximal cause of these acoustical features may be low physical energy.
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spelling doaj.art-8d24e9d8c6d54a30936e1b3da96000dd2022-12-21T18:45:38ZengThe Ohio State University LibrariesEmpirical Musicology Review1559-57492014-05-0191294110.18061/emr.v9i1.4085“You Can’t Play a Sad Song on the Banjo:” Acoustic Factors in the Judgment of Instrument Capacity to Convey SadnessDavid Huron0Neesha Anderson1Daniel Shanahan2School of Music, Ohio State UniversitySchool of Music, Ohio State UniversityMcIntire Department of Music, University of VirginiaForty-four Western-enculturated musicians completed two studies. The first group was asked to judge the relative sadness of forty-four familiar Western instruments. An independent group was asked to assess a number of acoustical properties for those same instruments. Using the estimated acoustical properties as predictor variables in a multiple regression analysis, a significant correlation was found between those properties known to contribute to sad prosody in speech and the judged sadness of the instruments. The best predictor variable was the ability of the instrument to make small pitch movements. Other variables investigated included the darkness of the timbre, the ability to play low pitches, the ability to play quietly, and the capacity of the instrument to "mumble." Four of the acoustical factors were found to exhibit a considerable amount of shared variance, suggesting that they may originate in a common underlying factor. It is suggested that the shared proximal cause of these acoustical features may be low physical energy.https://doi.org/10.18061/emr.v9i1.4085emotionmusicsadnessinstrument acousticstimbre
spellingShingle David Huron
Neesha Anderson
Daniel Shanahan
“You Can’t Play a Sad Song on the Banjo:” Acoustic Factors in the Judgment of Instrument Capacity to Convey Sadness
Empirical Musicology Review
emotion
music
sadness
instrument acoustics
timbre
title “You Can’t Play a Sad Song on the Banjo:” Acoustic Factors in the Judgment of Instrument Capacity to Convey Sadness
title_full “You Can’t Play a Sad Song on the Banjo:” Acoustic Factors in the Judgment of Instrument Capacity to Convey Sadness
title_fullStr “You Can’t Play a Sad Song on the Banjo:” Acoustic Factors in the Judgment of Instrument Capacity to Convey Sadness
title_full_unstemmed “You Can’t Play a Sad Song on the Banjo:” Acoustic Factors in the Judgment of Instrument Capacity to Convey Sadness
title_short “You Can’t Play a Sad Song on the Banjo:” Acoustic Factors in the Judgment of Instrument Capacity to Convey Sadness
title_sort you can t play a sad song on the banjo acoustic factors in the judgment of instrument capacity to convey sadness
topic emotion
music
sadness
instrument acoustics
timbre
url https://doi.org/10.18061/emr.v9i1.4085
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