A boy's Retro Gradation: A study of Nakamura Seiko's Shonenko
Shonenko, Nakamura Seiko’s magnum opus, is widely considered to be one of the most significant works of Japanese Naturalism. It is usually read as a coming-of-age story of two boys, Takeshi and Makio. One was born in the country and the other in the city. They met each other at Takeshi’s primary sch...
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| Format: | Article |
| Language: | English |
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The Global Institute for Japanese Studies, Korea University
2018-06-01
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| Series: | Gwagyeong Ilboneo Munhak Yeongu |
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| Online Access: | https://www.bcjjl.org/upload/pdf/bcjjlls-6-1-133.pdf |
| _version_ | 1818257794927689728 |
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| author | Tianyun ZHU |
| author_facet | Tianyun ZHU |
| author_sort | Tianyun ZHU |
| collection | DOAJ |
| description | Shonenko, Nakamura Seiko’s magnum opus, is widely considered to be one of the most significant works of Japanese Naturalism. It is usually read as a coming-of-age story of two boys, Takeshi and Makio. One was born in the country and the other in the city. They met each other at Takeshi’s primary school in the countryside and became friends, but Makio went to secondary school one year earlier than Takeshi. Later, they met again at Makio’s secondary school, but were never as close as before. At the end of the novel, Makio who used to like painting, went mad and then died prematurely. By contrast, Takeshi successfully transformed himself from a country boy to a leader at the city’s secondary school. Two most salient features of the novel are the style of recalling and the landscape description that arouse many scholars’ interests as well as most of their criticism towards the story. The focus of this study is on the different ways that Makio was called. In the text, the way that Makio was called changes a lot. Sometimes it is Miyagawa (his given name), sometimes it is Makio-san, and sometimes it is Makio-kun. Through a detailed text analysis, a different growth pattern that does not meet the requirements of Meiji era, and the hidden meanings of the text are supposed to be found. This approach might contribute a different way to read this novel as well as to find a real child in modern Japanese novels. |
| first_indexed | 2024-12-12T17:49:19Z |
| format | Article |
| id | doaj.art-8d6f261d79284b1f93fda6388e2b32f7 |
| institution | Directory Open Access Journal |
| issn | 2383-5222 2635-4829 |
| language | English |
| last_indexed | 2024-12-12T17:49:19Z |
| publishDate | 2018-06-01 |
| publisher | The Global Institute for Japanese Studies, Korea University |
| record_format | Article |
| series | Gwagyeong Ilboneo Munhak Yeongu |
| spelling | doaj.art-8d6f261d79284b1f93fda6388e2b32f72022-12-22T00:16:51ZengThe Global Institute for Japanese Studies, Korea UniversityGwagyeong Ilboneo Munhak Yeongu2383-52222635-48292018-06-01613314510.22628/bcjjl.2018.6.1.133A boy's Retro Gradation: A study of Nakamura Seiko's ShonenkoTianyun ZHU0Fudan University Japanese language department doctoral courseShonenko, Nakamura Seiko’s magnum opus, is widely considered to be one of the most significant works of Japanese Naturalism. It is usually read as a coming-of-age story of two boys, Takeshi and Makio. One was born in the country and the other in the city. They met each other at Takeshi’s primary school in the countryside and became friends, but Makio went to secondary school one year earlier than Takeshi. Later, they met again at Makio’s secondary school, but were never as close as before. At the end of the novel, Makio who used to like painting, went mad and then died prematurely. By contrast, Takeshi successfully transformed himself from a country boy to a leader at the city’s secondary school. Two most salient features of the novel are the style of recalling and the landscape description that arouse many scholars’ interests as well as most of their criticism towards the story. The focus of this study is on the different ways that Makio was called. In the text, the way that Makio was called changes a lot. Sometimes it is Miyagawa (his given name), sometimes it is Makio-san, and sometimes it is Makio-kun. Through a detailed text analysis, a different growth pattern that does not meet the requirements of Meiji era, and the hidden meanings of the text are supposed to be found. This approach might contribute a different way to read this novel as well as to find a real child in modern Japanese novels.https://www.bcjjl.org/upload/pdf/bcjjlls-6-1-133.pdfThe way to be calledSocial successMeiji EraThe way of growthRetro gradation |
| spellingShingle | Tianyun ZHU A boy's Retro Gradation: A study of Nakamura Seiko's Shonenko Gwagyeong Ilboneo Munhak Yeongu The way to be called Social success Meiji Era The way of growth Retro gradation |
| title | A boy's Retro Gradation: A study of Nakamura Seiko's Shonenko |
| title_full | A boy's Retro Gradation: A study of Nakamura Seiko's Shonenko |
| title_fullStr | A boy's Retro Gradation: A study of Nakamura Seiko's Shonenko |
| title_full_unstemmed | A boy's Retro Gradation: A study of Nakamura Seiko's Shonenko |
| title_short | A boy's Retro Gradation: A study of Nakamura Seiko's Shonenko |
| title_sort | boy s retro gradation a study of nakamura seiko s shonenko |
| topic | The way to be called Social success Meiji Era The way of growth Retro gradation |
| url | https://www.bcjjl.org/upload/pdf/bcjjlls-6-1-133.pdf |
| work_keys_str_mv | AT tianyunzhu aboysretrogradationastudyofnakamuraseikosshonenko AT tianyunzhu boysretrogradationastudyofnakamuraseikosshonenko |